Roswell: The Major’s Testimony

Decades after the report of a flying saucer crash in the New Mexico desert, Roswell became the king of UFO cases - and also the king of UFO hoaxes as well. Before the Alien Autopsy, the MJ-12 documents, the Roswell Slides and all the other phonies, there was some kind of genuine event, and it was backed up by the word of a credible witness. His name was Jesse A. Marcel, a retired Air Force. Lieutenant Colonel.

Around 1980 there were three articles in the Roswell Daily Record that document the rebirth of the flying saucer crash story. These rare items feature quotes by Jesse Marcel and Walter Haut with their first published thoughts on the possibility that the debris recovered in New Mexico was of extraterrestrial origin. Before getting to  those, we'll briefly recap the events from 1947 that led up to it all.

1947: New Mexico

Most people know the Roswell UFO crash story came and went virtually overnight in July of 1947. In New Mexico, near the town of Corona, William Ware “Mack” Brazel found some debris on the Foster ranch; tinfoil, paper, tape, sticks, and rubber from a kite-like object that was reported to have “at least one paper fin had been glued onto some of the tinfoil.” 

William Ware “Mack” Brazel

Mack was one of the last of the real cowboys, known for crushing the heads of rattlesnakes under his boot heels, and to him, the debris was as much a nuisance as a mystery. He showed some of the material to the local sheriff, who suggested it might be one of those flying discs in the news, and that it could be something the Army guys at Roswell might be interested in. Jesse Marcel was the intelligence officer at the Roswell Army Air Force Base in July 1947, and he caught the job of going out to see what was on the ranch. 

The Rapid City Journal (SD), July 8, 1947

A premature announcement characterized the object as a “flying disc,” but after being recovered and taken to Fort Worth, the scraps were identified by Warrant Irving Newton as pieces of a balloon and rawin target, and the press was told it was the remains of a weather balloon. Typical newspaper headlines said, “Army’s Disc Identified as Balloon.” 

Associated Press story and photos from Gen. Ramey's office.

There were plenty of other saucers stories in the news, and many of them went on to become classics, but the Roswell incident was closed and forgotten.

Skipping to the 1970s… 

Since the exposure of UFO hoax that was the basis for Frank Scully’s 1950 bestseller, Behind the Flying Saucers, crashed saucer tales were figuratively speaking, fit only for the junkyard. In 1974, Robert Spencer Carr resurrected the story, and it made headlines, making UFO crashes a marketable product once again. Stories about captured or crashed UFOs were a dime a dozen, but what was lacking was credible evidence or a witness. When the real thing surfaced, no one really cared at first.

Jesse A. Marcel, left active Air Force service in 1950 and moved back home to Houma, Louisiana, where he worked as a repairman of electronics. After the Pascagoula Abduction story, UFOs were big in the news in the 1970s, which may have prompted Marcell to share his saucer story with his ham radio friends. In 1978, over 30 years after the saucer headlines, two UFO researchers made contact Marcel and resurrected the story.

On Feb. 20, 1978, Stanton T. Friedman was on his UFO lecture tour in Louisiana, when he was told about a man in the area who said he’d once found pieces of a flying saucer. Friedman called Jesse Marcel the next day, to hear the story most of us have come to know. Unfortunately, Marcel couldn’t remember the date or some of the people’s names, and provided no documentation. Friedman listened with interest, but in his line of work, you hear a lot of stories.

Stringfield's presentation was reprinted in Flying Saucer Review Vol. 25, no. 6 

Next, Leonard H. Stringfield interviewed Marcel on April 7, 1978, and subsequently included the Roswell anecdote in his lecture (but not accompanying paper) “Retrievals of the Third Kind,” at the Mutual UFO Network Symposium at Dayton, Ohio, in July 1978. In it, Marcel was referred to only as “Major J. M.” The MUFON UFO Journal, August 1978 printed the revised and paper from Stringfield’s Symposium presentation, and the portion on Marcel was called “Abstract XVIII.” Marcel’s story was regarded as nothing special at the time, just one of Springfield’s many tales of anonymously sourced UFO crash recoveries. None of this reached the general public, at the time it was just titillation for well-connected UFO buffs.

Stanton Friedman let the Marcel story sit on the shelf until he partnered with Bill Moore, a ufologist whose star was on the rise. Moore had been working with Charles Berlitz, the author of bestselling books on paranormal topics as The Bermuda Triangle and The Philadelphia Experiment. A year after Friedman had spoken to Marcel, Moore came across 1947 newspaper articles about the Army's capture of a flying disc that confirmed that Marcel's story. That’s when Friedman realized they had something. Marcel had made no mention of the debris being from a manned craft or anything at all about alien bodies. To fix that, Friedman and Moore combined Marcel’s story with the fanciful secondhand account of Barney Barnett discovering a saucer and alien bodies to flesh out their narrative.

 

The Public Debut of Marcel’s Testimony on Roswell

As Moore’s Roswell book was being prepared, Jesse Marcel was interviewed by Bob Pratt on Dec. 8, 1979, later published in the National Enquirer, Feb. 26, 1980, as "Former Intelligence Officer Reveals... I Picked Up Wreckage of UFO That Exploded Over U.S." It was the public’s first taste of what became known as the Roswell Incident. Marcel described collecting the debris on the ranch, "I didn't know what we were picking up and I still don't know.”

National Enquirer, Feb. 26, 1980

Stanton Friedman was more certain. “William Moore and I have talked with at least 40 other people who have knowledge of this incident, and I am convinced that a flying saucer exploded…” He closed by saying, “It is certainly part and parcel of a long-term cover-up."

Bob Pratt’s article included a couple of UFO product plugs:

“Marcel’s story is told in the new movie, UFOs Are Real.”

“[William] Moore and Charles Berlitz are coauthors of a book on the crash, The Roswell Incident to be published in the spring”

 

The first product to market was the movie, UFOs Are Real, released Nov. 1979, sent to theaters as “Alien Encounter.” Edward Hunt directed it, and he co-wrote the film with Stanton Friedman who was also listed as technical consultant. It featured the first filmed interview with Jesse Marcel, and he was even pictured on the movie poster.

The UFOs are Real segment on Jesse Marcel and Roswell starts at 2:15.

UFOs Are Real, 1979

Marcel: One thing I was certain of being familiar with all air activities, that it was not a weather balloon, nor an aircraft nor a missile It was something else which, we didn't know what it was, it was just fragments strewn all over the area, an area about three-quarters of a mile long and several hundred feet wide, so we proceeded to pick up the parts. A lot of it had a lot of little members with symbols, that to me, I call them hieroglyphics, because I could not interpret them, it could not be read they were just like symbols from something that meant something. These little members could not be broken, could not be burned, I even tried to burn that, would not burn. See that stuff weighs nothing, it's not any thicker than tin foil in a pack of cigarettes. [Repeating what “one of the boys” told him.] Says, “I tried to bend the stuff.” Says, “It will not bend,” says, “we did all we could to bend it,” it would not bend.” Says, “We even tried making a dent in it with a 16-pound sledge hammer,” he says, “still no dent in it.”

Narrator: [After discussing another story] …Marcel escorted the wreckage on a B-29 to Carswell Air Force Base. The press was waiting for him, but he was told not to say anything by his commander, General Ramey.

Marcel: The newsmen saw very little of the material, a very small portion of it, and none of the important things like these members that have these members that had these hieroglyphics or markings on. They wanted me to tell them about it and I couldn't say anything. And when the general came in, he told me not to say anything, that he would handle it.

The film had a limited US theatrical release in early 1980, but UFOs are Real was more widely seen when syndicated for broadcast later in the year by local television stations.

 

In Search of the UFO Coverup

Jesse Marcel came back to Roswell in June of 1980 to be filmed for a television episode about UFOs. It made the local news in the Roswell Daily Record, June 11, 1980. Below is a clipping of the article, and  since the type is a bit unclear, the complete text.

‘UFO’ revisits city, via television show

By Lynne Vans, Record Staff Writer

The story of purported wreckage of a UFO found on a ranch near Corona in 1947 has returned to haunt Roswell.

Seth Hill, writer-producer for the television series "In Search Of," hosted by Leonard Nimoy, has been in the area working on a program titled "The UFO Coverup."

"The UFO Coverup." investigates charges that the U.S. Air Force has systematically covered up evidence of UFOs and alien visitors. In the program, Hill investigates two separate findings of what are presumed to be wrecked UFOs - the 1947 incident near Roswell and one in Arizona, which Hill declined to discuss.

Hill himself does not believe UFOs are alien visitors "surveying us to see how we're doing." His theory is that, many of the sightings are actually top secret test vehicles of the U.S. government.  Although a non-believer, Hill pointed to a remarkable similarity in UFO sightings. He also noted that many of the sightings came in areas where the U.S government conducted atomic bomb tests during the 1940s. And, despite widespread media exposure. Hill still feels that the uniformity of . descriptions submitted by people who make the sightings is too strong to dismiss as weather balloons, St. Elmo's Fire, reflections or high flying aircraft. All valid UFO sightings, he said, report a disc-shaped object with one or two modes of travel either very fast in a horizontal direction or a rocking motion like that of a leaf drifting to earth as the vehicle lands.

While in Roswell, Hill interviewed Paul Wilmot, son of Mr. and Mrs. Dan Wilmot The Wilmots had reported seeing a strange object that hovered briefly over Roswell, then headed for the northwest the night before the wreckage was found on a ranch near Corona.

Hill also had retired Air Force Maj. Jesse Marcel flown to Roswell from his home in Louisiana. Maj. Marcel was the security intelligence officer at Walker Air Force Base when the UFO wreckage was reported by ranch manager W.W. Brazel, now deceased. Marcel contradicted accounts of the incident released to the press by Brig. Gen. Roger Ramey at the time, which stated, that the wreckage was merely a weather balloon or a radar target. Actually Marcel said, there was far more wreckage found than the press reported, simply because most of it had been picked up by the time they got to the scene.

Marcel remembers collecting a small truckload of some kind of metal and other materials resembling parchment and wood. After the material was at Walker Air Force Base, Marcel was ordered to send it to Wright Patterson Air Force Base in Ohio. However, Gen. Ramey overruled him, he said, and had the wreckage loaded onto a plane and flown directly to his headquarters in Fort Worth Texas. After loading the wreckage on the plane Marcel heard nothing further about it, but that’s the way the military works, he explained.

"The UFO Coverup" is being filmed for the fall schedule Hill says it will be aired some time in October, possibly on CBS Television.

The article was edited, shortened by the United Press, but the only published version we could locate was in the Longview News-Journal (Texas), June 12, 1980, “Legend returns to haunt Roswell.” 

A follow-up article on the filming of the In Search of episode from The Roswell Daily Record, June 13, 1980, included the questions Jesse Marcel was asked, and some answers that didn’t make it into the show, like his description of a parchment-like porous material he found. Vans’ article is an interesting account of how a witness testimony is produced for the typical television show.

The Roswell Daily Record, June 13, 1980

On September 20, 1980, Season 5 of In Search of…  opened with the episode, “UFO Cover-Ups.” It was produced and directed by Seth Hill, and hosted by Leonard Nimoy.

In Search of…  “UFO Cover-Ups

Jesse Marcel’s interview was edited down to a few clips to fit the short segment. Below is a transcript of Marcel’s comments used in the episode:

Narrator: The next day reporters heard that the Air Force had found fragments of a mystery object crashed on a remote ranch northwest of Roswell. Excitement ran high until officials announced it was only a weather balloon. Major Jesse Marcel in charge of the operation now tells a far different story.

Marcel: [Describing the press event.] They took pictures of course. They had a whole flock of microphones there. They wanted to me - they wanted some comments from me, but I wasn't at liberty to do that. So, all I could do is keep my mouth shut. And General Ramey is the one who discussed - told the newspapers, I mean the newsman, what it was, and to forget about it. It is nothing more than a weather observation balloon. Of course, we both knew differently.

Narrator:  Major Marcel had to keep silent because of his strategic position at that time. He was in charge of all security and intelligence on atomic tests in the United States and the Pacific. Marcel retraced his secret recovery operation across the hot New Mexico desert.

Marcel:  We left Roswell perhaps around 3:30 or 4 o'clock that afternoon... You can see it's flat. It is very difficult, in fact, with just verbal directions, we never would have found it. We had to follow the rancher out there.

Narrator:  The crash site was so remote it took an entire day to drive there.

Marcel:  The following morning we went out to this site where the crash was, and what I saw, I couldn't believe. There was so much of it. It was scattered - it was such a vast area. So, we proceeded to pick up as much of the debris as we could and loaded in the wagon. We filled that up. It took us a good part of the day to do that, ‘cause there were such small fragments and we had to do a lot of picking. We found a piece of metal about a foot and a half to 2 feet wide, and about but 2 or 3 feet long, it felt like you have nothing in your hands, it wasn't any thicker than the foil out of a pack of cigarettes. But the thing about it that got me is that you couldn't even bend it, you couldn't imbed - dent it, even with a sledgehammer would bounce off of it. So, I knew that I had never seen anything like that before, and as of right now, I don't know what it was.

Narrator: There is new evidence that the FBI then got into the case… [shows Peter Gersten discussing a FBI document on Roswell identifying the object as kite] What did crash in this desert, a UFO a weather balloon, a radar reflecting kite?

Marcel:  It was not anything from this earth, that I'm quite sure of. Because I, being in intelligence, I was familiar with just about every - all materials used in aircraft, and our air travel. This is nothing like that. It could not been. It could not have been.

Jesse Marcel’s segment closed by reminding viewers of his role as intelligence officer at the Roswell Army Air Force Base, which was the basis of his credibility. He went as far as suggesting the material was extraterrestrial, but again there was no mention by him of seeing - or even hearing about the recovery of bodies from the crash debris. If there were any, he would have been the man to know about it.

 

Bill Moore’s Book

Shortly after the episode aired, The Roswell Incident by Charles Berlitz and William Moore was published in Oct. 1980. 

Bill Moore was the primary author, but Berlitz got top billing due to his fame and franchise. Stanton Friedman’s research was mentioned in the book, however, he not credited as a contributor. According to the text, the Jesse Marcel quotes used in the book were from interviews with him conducted by “Moore and Stanton Friedman, February, May, and December 1979.” 

The National Enquirer provided another boost for the book in their Sept. 16, 1980, issue which published an excerpt. While it did not reach the bestseller status like some of Berlitz’s earlier works, the UFO book sold respectably, and reached a wider audience when reprinted in paperback. It was definitely a moneymaker. The Los Angeles Times, Sept. 7, 1980 reported that, "Columbia has picked up Charles Berlitz and William L. Moore's The Roswell Incident (Grosset & Dunlap: $10), about UFOs, for $250,000 plus. If a TV series should materialize, the studio has agreed to the ‘highest royalties they have ever paid,’ says the Swanson Agency, which did the negotiating." 

During the promotion for the book, Bill Moore came to the city of Roswell in late 1980.

A third article on the UFO involving Jesse Marcel appeared in the Roswell Daily Record, Jan. 2, 1981, but it was really focused on Bill Moore being in town to promote the book, The Roswell Incident. Marcel was just mentioned in passing by Walter Haut, the RAAF Base information officer who had given the flying saucer story to the press back in 1947. Haut had an art gallery (before opening the Roswell UFO tourist attraction) and was hosting an autograph party for Moore’s book. Haut didn’t give any indication of seeing anything unusual back then, joked about it and said, “I didn’t think much of it and the whole thing died on the base.”  

The recrafted Roswell story took a while to catch on, even in ufology. It received a big boost by being featured at the 1981 MUFON Symposium in the joint lecture by Stanton T. Friedman and William L. Moore, “The Roswell Incident: Beginning of the Cosmic Watergate.” After that, the story gradually became embedded in the the lore, but Roswell was still far from a household name.

Jesse Marcel was interviewed on film again for the HBO documentary America Undercover episode: “UFOs: What's Going On?” August 1985. His story remained unchanged. In none of the filmed interviews did he mention anything about the debris being switched for the press conference. Rather, he states it’s the same thing he picked up, just that, “The newsmen saw very little of the material, a very small portion of it…”

UFOs: What's Going On?

Jesse Marcel did not indicate that he thought the debris was from anything other than an unmanned craft. Kevin Randle addressed stories that surfaced after Marcel’s death in his 2016 book, Roswell in the 21^st Century. In the section, “Marcell and the Bodies,” he shows how the documented statements contradict the rumors, and Randle notes that, “Jesse Marcel, Jr. made it clear that he and his father never discussed alien bodies with him.” Randle addressed how Marcel exaggerated his credentials, saying, “There are clear areas of resume inflation but none that is particularly egregious by itself. It is only in the aggregate that it suggests that Marcel had a habit of stretching the truth.” Jesse Marcel told a consistent story about what he found on the Foster ranch, but maybe he exaggerated how unusual the material was. But he certainly didn't invent a story out of thin air, even after being hounded by ufologists.

Jesse A. Marcel died on June 24, 1986. The Roswell story went on without him, and in time, grew bigger than life.

 

The Legend Takes Hold

Up until the late 80s, the renovation of Roswell was just another UFO story, told in part as a cautionary tale about the UFO cover-up. That status changed after it was featured on a top-rated network television show.

Unsolved Mysteries, September 20, 1989,  “Legend: Roswell Crash"

NBC’s Unsolved Mysteries, September 20, 1989, featured “Legend: Roswell Crash” as one of the stories in their season 2 opener. It featured ufologists Kevin Randle, and Stanton Friedman, and the show repeated the premise from the Berlitz-Moore book. The now-discredited Barney Barnett story was presented as if as genuine as Marcel’s testimony, which was shown via his 1979 interview clip from UFOs are Real. 

With the broadcast of the show, the Roswell story finally took hold in the public’s imagination and has since become an entertainment franchise. The popularity of the tale has overshadowed genuine UFO history, and many people today think of Roswell rather than the Kenneth Arnold sighting as the event that started it all. 

Had it not been for Jesse Marcel reminiscing to his radio buddies about a couple of strange days back when he was stationed in New Mexico, the story of an alien crash near Roswell would have never been written.

. . .

A Few Notes

Jesse A. Marcel's original unedited interview with Bob Pratt for the National Enquirer: Transcript of taped interview with Jesse Marcel Sr., Dec.8, 1979.

UFOs Are Real. Some trivia on the documentary. The MUFON UFO Journal, May 1980 had a short discussion by Walt Andrus of the movie :

Many of our Journal readers have inquired about the Group I motion picture titled "UFOs Are Real" and when it will be released after having had four "sneak" previews last November. Stanton Friedman, the scientific consultant for the film, has not been able to determine why it was not released to the motion picture theaters. In March, the Academy of Science and Horror Motion Pictures awarded the film "the Best Scientific Motion Picture for 1979." It is available on a cassette video tape in either Beta or VHS from your Fotomat store for a rental fee of $9.95 or may be purchased for $49.95. Many MUFON people appear in this 110 minute color video tape documentary such as Stanton Friedman, Ted Phillips, Marjorie Fish, Dr. Bruce Maccabee, etc. plus numerous dignitaries in the military and government. This film is a bargain for people who own or have access to video tape equipment.

Linda Corley interviewed Jesse Marcel in 1981, and published a book on it many years later in 2007, For The Sake of My Country: An Intimate Conversation With Lt. Col. Jesse A. Marcel, Sr., May 5, 1981. Corley discussed the events and the later reports of alien bodies, and even autopsies. Marcel said he'd been asked about that before and said, "Well, I don't know anything about that." She asked Marcel, "I wonder how you would have felt if you would have seen dead bodies." Marcel replied, "I would have picked them up and brought them in."  

1947 Roswell FBI Document. There were a few stray mentions of Roswell in before 1978, such as the article by Dr. Bruce Maccabee in the APRO Bulletin, Nov. 1977, based on his review of FBI files on UFOs. Maccabee found a document dated July 8, 1947. All he had to say about the incident, was that:

On July 8 a "disc" was found near Roswell, N.M. This "disc" was hexagonal in shape and was suspended from a balloon. This "disc" was sent to Wright Field by a special plane for analysis.

Crashed flying saucer stories became a marketable commodity in the mid-1970s chiefly due to Robert Spencer Carr resurrecting the hoax from the book, Behind the Flying Saucers, by Frank Scully.

Interest was high enough that at the same time Bill Moore and Stanton Friedman were finishing the Roswell story, an unconnected movie was being made, originally planned as a UFO documentary. The finished project, however, was an embarrassing work of fiction inspired by the Scully book. The movie Hangar 18 was released in mid-1980. For more the story of how it all happened, see: UFO and Alien Movies: It Came from Hangar 18.

 

UFO Canards Denied Place in Dustbin of History

There are always new people being drawn into the UFO field with little familiarity in the work that has gone before. Time and again, old thoroughly debunked UFO tales gets rediscovered by a careless or clueless researcher, becoming "news" in a never-ending cycle. 

A short clip from the Warner Brothers library, edited as commentary by Claude Falkstrom, "On ufology and progress."

The UFO Message of Science Fiction Theatre

This article is was prompted by a suggestion from Graham, a STTF reader who pointed out that the 1955 television series Science Fiction Theatre produced several episodes with UFO concepts, many of which never before seen on screen.

Bringing UFOs to TV

Ziv Television Programs was a pioneer in syndicated TV series, chiefly producing crime dramas, westerns and adventure shows. The company was founded by Frederick Ziv, and his brother Maurice Ziv co-produced two shows that featured UFO episodes, Science Fiction Theatre, 1955 - 57, and Men into Space, 1959-60. Both shows were co-produced with Ivan Tors.

Ivan Tors is better known today for his later adventure and family television shows such as Sea Hunt, Flipper and Daktari. Earlier in his career he had had made several science fiction feature films, Magnetic Monster, 1953, Riders to the Stars and Gog in 1954. (Tors has also erroneously been credited for producing Unidentified Flying Objects: The True Story of Flying Saucers, see endnotes in this STTF article.) 

While Tors produced science fiction, he avoided fantasy, and had a reputation for insisting in scientific accuracy in his screenplays. Tors described his outlook in the essay, “Science Fiction” to the 1958 book, TV and Screen Writing, edited by Lola Goelet Yoakem.

TV and Screen Writing, 1958

In 1955, Tors debuted a science fiction anthology program unlike anything else on the air.

Amarillo Globe-Times April 29, 1955

Science Fiction Theatre

Science Fiction Theatre debuted in April 1955, with the goal of presenting scientifically plausible stories in an unsensational manner, not the kid stuff Buck Rogers SF with BEMs (bug-eyed monsters). 

The program ran seventy-eight episodes from 1955 to 1957, and was hosted by veteran announcer Truman Bradley. Each episode opened with Bradley on a laboratory set, sometimes quoting from a recent Scientific American article, and he’d discuss and demonstrate a scientific principle that would play a role in the story he was introducing. There were some big ideas featured, but sometime s the scripts and performances didn’t live up to them. A negative review by John Brosnan in Science Fiction Monthly vol. 2, no. 01, 1975, “SF on TV.”

Each half-hour episode was introduced by a grey-haired distinguished looking gentleman seated at a desk that was covered with peculiar objects that looked vaguely scientific. The stories that followed were so tedious and uninteresting (apparently because the makers' aim was to demonstrate that science fiction could be serious) that the series must have discouraged many a potential science fiction fan during the short time it ran.

A bit harsh. The production values of Science Fiction Theatre were very good, and it’s notable for its first season of it being filmed in color. With its half-hour format and the opening and closing remarks by the host, there wasn’t much time left for the story. That’s  possibly why some concepts were featured in more than one episode, almost as if the same story was being told from another point of view. With the limited time and television budget, some of the episodes almost seem if they could have been radio plays since so much happens offscreen, and some stories would have worked as well or better as radio dramas.

What really important to us though, is that the series frequently dealt with the topic of alien contact and flying saucers. Luckily, these shows have been preserved and can still be watched today. Science Fiction Theatre is available in a DVD set, and can sometimes also be found online (usually at far lower video resolution).

SFT DVD, and Martin Grams' 2011 book, Science Fiction Theatre: A History of the Television Program, 1955-57

Flying saucers had been in the public eye for less than ten years when the series began, and it’s interesting to see how ideas about them were being digested and circulated to the public. Graham, in his letter about the series said, “ if nothing else they show just how quickly UFO lore developed after the Arnold sighting.” Tors took pains to bring credibility to Science Fiction Theatre, so it’s very interesting that he’d risk losing it all by addressing the highly controversial topic of UFOs.

Science Fiction and Flying Saucers

Science Fiction Theatre aired in the years between two major news-making UFO events, the 1952 Washington, DC sightings and the 1957 Levelland, Texas case which overlapped with the launch of the Soviet Sputnik satellite. Flying saucers were not widely embraced by most science fiction authors. While most supported the possibility of life throughout the universe, they didn’t see the reports of UFOs as any evidence of that. Hollywood’s version of science fiction was another matter, and when adapting tales of extraterrestrial visitors, they swapped the alien spaceships for flying saucers. This was done for two overlapping reasons: 1. It capitalized on the popularity of the UFO mystery. 2. It was simple, an expedient shortcut in storytelling. Since everyone had heard of flying saucers, lengthy exposition about spaceships, interstellar travel and extraterrestrial life could be virtually eliminated. 

Nevertheless, most printed straight science fiction kept saucers on the sidelines. In the movies, on radio and television, only occasionally did extraterrestrial stories feature flying saucers and their related lore. Science Fiction Theatre took a different approach, and their default position from the first episode was that flying saucers are real.

The SFT UFO-related Episodes

Here’s a look at some of the most notable UFO-related episodes of Science Fiction Theatre:

Beyond - screenplay by Robert Smith and George Van Marter from a story by Ivan Tors.

Season 1, episode 1, April 5, 1955

This story is reminiscent of the Captain Thomas F. Mantell crash story. A test pilot bails out when he thinks he’s going to crash into a UFO. His expensive test plane is lost, and there’s an inquiry as to whether he’s fit to fly. Since the object was not seen on radar, the brass thinks he hallucinated. The UFO was a long gray metallic cylinder, and there is speculation that the saucer was powered by magnetic force (as in Frank Scully’s Behind the Flying Saucers).

Jefferson City News and Tribune Jan. 15, 1956

Y-O-R-D  - screenplay by Leon Benson and George Van Marter, story by Ivan Tors.

Season 1, episode 4, April 30, 1955

The world's leading expert on telepathy, Dr. Lawton, is sent to a military weather station at the North Pole, where the crew there have suddenly become psychic. The mysterious code they're mentally receiving, Y-O-R-D, turns out to be an emergency call from an extraterrestrial source. This episode features Kenneth Tobey, back in familiar territory from The Thing from Another World.

Hour of Nightmare screenplay by Lou Huston

Season 1, episode 12, June 25, 1955

A husband and wife team are assigned to travel to Mexico and take photographs of the UFOs being reported there. They stumble upon the body of a dead alien, find ET technology and cope with radiation exposure.

The Strange People at Pecos - screenplay by Doris Gilbert.

Season 1, episode 23, Oct. 1, 1955

The Kerns, the new family in town, display strange behavior, leading a boy and his father to suspect that they could be spies from flying saucers. The new girl seems to feel no pain, her father is heard sending a message to aliens, and he has model saucer that defies gravity. When confronted, Mr. Kern has an explanation, but is it just a cover story?

Postcard from Barcelona - screenplay by Sloan Nibley, story by Tom Gries and Ivan Tors.

Season 1, episode 30, Nov. 19, 1955

After the sudden death of a brilliant scientist, his unfinished work is examined and it’s revealed that his technological advances were due to information fed to him by extraterrestrials. Parts of this story are reminiscent of the later UMMO story (a hoax).

Are We Invaded? - screenplay by Norman Jolley.

Season 1, episode 36, Dec. 31, 1955

A couple witness a UFO, but when they report it to the the woman’s father a prominent  astronomer, he dismisses their sighting as an optical illusion. The man, a reporter, goes on a quest to film a documentary of witnesses and prove the reality of UFOs. He winds up looking foolish when the astronomer is able to explain each of the sightings. There’s a “snapper,” however, the mysterious Mr. Galleon has given him a photograph that could not have been taken on Earth, and leaves behind an exotic forwarding address.

The Other Side of the Moon - screenplay by Robert M. Fresco and Richard Joseph Tuber.

Season 1, episode 39, Jan, 27, 1956

New astronomical photographic equipment reveals evidence of advanced alien technology on the moon. When an unmanned photographic mission is launched to explore, it crashes on the far side of the moon, but the photos it sent back confirm that aliens had come and gone – without bothering to contact the Earth.  Scientists conclude that we aren’t ready, still too primitive.

Season Two (episodes were filmed in black and white.)

Bullet Proof - screenplay by Lee Hewitt.

Season 2, episode 6, May 11, 1956

An escaped convict tries to cash in on debris recovered from a UFO landing. Long before the Roswell incident was reinvented as an ET story in the late 1970s, this story features a strange, near-indestructible foil-like metal from a damaged UFO. 

Shades of Roswell! UFO mystery metal. 

The scientist first thinks it aluminum foil, but when the convict strikes it with a hammer, or shoots it with a pistol, the sheet is undamaged. The con meets a buyer and takes him to the UFO landing site, where sand was found to be fused into glass. The examining scientist speculates that aliens deliberately left their technology behind for us to find.

The Missing Waveband - screenplay by Lou Huston, story by Ivan Tors.

Season 2, episode 10, June 16, 1956

Dr. Vincent Milhurst makes radio contact with a mysterious stranger, a distant unknown scientist who provides him with knowledge of technology that will prevent nuclear war, ensuring peace on Earth. When Milhurst uses the same technology to trace the location of the stranger’s signal, it’s determined to be from far, far away.

Beam of Fire - screenplay by Stuart Jerome, story by Ivan Tors.

Season 2, episode 15, July 28, 1956

A mysterious beam is destroying the development of rocket fuel, apparently in an attempt by extraterrestrials to postpone Man’s space exploration.

The Legend of Crater Mountain - screenplay by Bill Buchanan and Lue Hall.

Season 2, episode 16, Aug. 3, 1956

A teacher is tormented by three siblings that possess psychic powers. Local legend has it that their family arrived 200 years earlier in a UFO crash. The plot is similar  to Zenna Henderson's “The People” series about alien refugees living among us which had debuted in the story "Ararat" in the Oct, 1952 issue of Fantasy and Science Fiction magazine.

Jupitron - screenplay by Arthur Weiss.

Season 2, episode 18, Aug. 17, 1956

Alien abduction: A couple are taken to one of Jupiter’s moons where they encounter a long-missing scientist who shares the secret of a substance that will solve the Earth's hunger problem.

The Last Barrier - screenplay by Hendrik Vollaerts (as Rik Vollaerts).

Season 2, episode 27, Nov. 24, 1956

While an experimental rocket travels to the Moon, there are saucer sightings on Earth, and radar shows the rocket is followed by UFOs. The ship mysteriously crashes on return, apparently in an attempt by extraterrestrials to postpone Man’s space exploration.

Sun Gold - screenplay by Peter R. Brooke.

Season 2, episode 32, Dec. 14, 1956

Ancient Aliens: Four years before The Morning of the Magicians and twelve years before Chariots of the Gods, scientists discover that the Incans had been given technology by a “visitor from the sky.”

Bolt of Lightning - screenplay by Meyer Dolinsky. 

Season 2, episode 38, Feb. 1, 1957

The government investigates after a scientist dies in an unexplained laboratory explosion, but his daughter tries to keep his secrets, in the face of rumors that he was doing something connected with flying saucers. Screenwriter Meyer Dolinsky wrote quite a bit of screen science fiction, and went on to write several classic episodes of The Outer Limits, such as “The Architects of Fear.”

The Strange Lodger - screenplay by Arthur Weiss.

Season 2, episode 39, Feb. 18, 1957

While testing a device for TV ratings that can detect what channel viewers are watching, it’s discovered that a strange old man is tuned into the unknown channel 84. More puzzling, he’s not receiving, but sending messages about Earth to a ship orbiting the planet.

The Influence and Impact of SF Theatre

Science Fiction Theatre continued in reruns through the end of the 1950s and was broadcast again in syndication the early 1960s under the title Beyond the Limits.

There were a few mentions of the show in period UFO literature.

The APRO Bulletin, Aug. 1955

UFO Newsletter # 6, 20 October 1956, North Jersey U.F.O. Group  

SCIENCE FICTION THEATRE, WRCA-TV, Fridays at 7 p.m., has a story based on saucers every once in a while. Most recent was 5 October. TRUMAN BRADLEY, host... said that the flying saucers constitute one of the greatest puzzles put before man. 

UFO Newsletter # 13, May 1960, edited by Lee R. Munsick

“TV Shows Push UFO's, E.S.P.”

"'Science Fiction Theatre'... A discussion with producer Ivan Tors of Ziv disclosed at least six episodes dealing with flying saucers:

1. BEYOND (saucer sighting by jet pilot)
2. YORD (communication from a space-ship)
3. AN HOUR OF NIGHTMARE (saucers and little men in Mexico)
4. POSTCARD FROM BARCELONA (space-station)
5. ARE WE INVADED? (saucer investigation)
6. BREAKTHROUGH (first moon-rocket followed by saucer)
(Note: actual title: The Last Barrier)

While actually science fiction presented as such, much of the material incorporated into these stories comes from actual UFO cases, easily recognizable by well-versed Ufologists.”

Ivan Tors' Science Fiction Theatre only lasted two seasons, but delivered a phenomenal 78 episodes. The series should be remembered for reflecting the public's interest in flying saucers, and for possibly helping shape public opinion towards the extraterrestrial hypothesis for UFOs. 

. . .

Epilogue and Endnotes

Men into Space

Ivan Tors was part of another Ziv Television space-themed series, Men into Space, an attempt at a realistic show about space exploration starring William Lundigan as astronaut Col. Edward McCauley. Executive Producers were Maurice Ziv and Ivan Tors, and it ran one season, from 1959-60. Most episodes were straight astronaut adventures, but in a few stories they encountered UFO-type situations and indications of alien civilizations.

Hard evidence vs. hearsay.

“Is There Another Civilization?” - screenplay by Jerome Bixby, episode 24, March 23, 1960. During a routine flight, the astronaut’s ship is struck by a meteor, but when analyzed the metal appears to be manufactured, and unlike anything on Earth.

“From Another World” - screenplay by Beirne Lay Jr., episode 29, April 27, 1960.

Colonel McCauley spotted an alien fossil on Asteroid 78-1, but the mission was cut short by the failure of his suit oxygen supply, so the authorities suspect it was lack of air or stress causing him to hallucinate

“Beyond the Stars” - screenplay by David Duncan, episode 31, May 11, 1960.

A signal from distant space is revealed to a communication from a deep space.

“Mystery Satellite” - screenplay by Jerome Bixby, episode episode 37, Sept. 7, 1960.

A “meteor” appears to be following the astronaut’s ship, matching their maneuvers, indicating it is under intelligent control.

Men into Space was not renewed after the first season.

For further reading on Science Fiction Theatre

For more details on Ivan Tor and his science fiction work, see Gary Westfahl’s Biographical Encyclopedia of Science Fiction Film, 1901-2016.

Ivan Tors’ obituary at The New York Times.

Martin Grams wrote the 2011 book, Science Fiction Theatre: A History of the Television Program, 1955-57. His blog article describes the making of the pilot episodes, “Beyond” and “Y.O.R.D.,” both of which featured UFO-related stories: Science Fiction Theatre: The Pilot