The UFO and Bermuda Triangle Cruise with Charles Berlitz

The Bermuda Triangle Cruise 
In our earlier story on Lawrence Brill and the PSI (Psychic, Spiritual and Intuition) Conferences, The 1974 Tampa Flying Saucer Symposium, we saw that follow-up events were planned, both on land and at sea. Brill did not see live to see his dream of a psychic and UFO conference aboard a sea cruise come true. But in 1975, someone tried something pretty close.

Charles Berlitz was the best-selling author of The Bermuda Triangle which also dabbled a bit in UFO lore (long before he co-authored The Philadelphia Experiment and The Roswell Incident with William Moore). Berlitz was the headliner for a Bermuda Triangle sea cruise that also featured one of Lawrence Brill’s stars from PSI Conferences, Page Bryant, psychic radio talk show host from Tampa.

Page Bryant, from her The Earth Changes Survival Handbook, 1983

The  Pez Espada IV cruise was hosted by WFTL (850 AM) West Palm Beach, Florida. A long article by Jim Gallagher in the Detroit Free Press, May 25, 1975, told the story, warts and all:

What led WFTL to finance the Pez adventure, however, was more a concern for profits than for losses. According to Ted Agnew, afternoon newsman at the station (and no relation to the former vice-president) management at WFTL was looking for a publicity gimmick to attract listeners during its spring rating review period. Realizing that the Bermuda Triangle has become big business Berlitz's book has been No. 1 on the New York Times best-seller list for two dozen weeks and two paperbacks on the Triangle have sold considerably more than a million copies each they decided to send a ship into the area and have Agnew do live broadcasts from onboard. 

From another section,

Besides Berlitz, the other experts on board were Page Bryant, a corpulant housewife who claims to be a psychic, and Dr. Manson Valentine, an aging zoologist (his specialty is beetles) who believes in the existence of extraterrestrial beings. "We have some very sophisticated friends and ancestors in outer space," Valentine said. However, he has yet to make contact with any of them. Not that he hasn't tried. "I've been telling them for years to come out and show themselves, to talk to me man-to-man," he confided. "But they just won't do it and I'm certainly miffed with them.'" Valentine believes the Triangle disappearances are related to UFO traffic in the area. The exhaust systems of the UFOs, he said, upset the magnetic stability there. Valentine supplied Berlitz with much of the material included in his book "The Bermuda Triangle.

(For a larger view of the newspaper article below, clink on the caption/link.)

Detroit Free Press, May 25, 1975

The second part of the article provides the details on the (low-grade) UFO sighting during the voyage.

Before the voyage began, Ms. Bryant made four predictions: the ship would have engine trouble, there would be a fire at sea, UFOs would be sighted on Friday evening, and the Pez would not fall victim to the Triangle curse. Each was borne out by later events...

At a post-cruise press conference, Allen Moore asked Ted Agnew about the UFOs. "I saw a light... much larger than the running light of an airplane." 

It wasn't much of a UFO, just a light in the sky, but the WFTL promoter pushed to glorify it.

 Moore wouldn't give up, "But it was unidentified, so it would be a UFO," he insisted.

Detroit Free Press, May 25, 1975

Berlitz continued to dabble with the UFO topic in his books, in 1977 with another Bermuda Triangle book, Without a Trace, and in 1978 with William Moore The Philadelphia Experiment, and then together again with Moore in 1980, with UFOs front and center in a book about a crashed flying saucer, The Roswell Incident.

Without Charles Berlitz, these stories probably would have never reached the mainstream public, at least in bestselling books. Berlitz died on December 18, 2003, but the legends he published will be circulated forever.

"Linguist Charles Berlitz Dies" by Adam Bernstein, Washington Post, December 31, 2003.

UFO and Alien Movies: It Came from Hangar 18

Continued from Roswell Reborn: The Hangar 18 Legacy

Epilogue: The Hollywood Legacy, Hangar 18 to Close Encounters and Back Again

Robert Spencer Carr’s resurrection of the Aztec legend paved the way for Leonard Stringfield’s UFO crash/retrieval studies, and the revival of Roswell by Stanton Friedman, William Moore and Charles Berlitz. Carr’s crash story was part of the UFO revival that led to a boom in space-based science fiction movies such as Star Wars and Close Encounters of the Third Kind, and also was exploited in the movie Hangar 18 which was based on the Aztec legend itself.

UFO Crashes and The Movies

The first saucer crash movie was based on John W. Campbell, Jr’s story “Who Goes There” from Astounding Science Fiction, August 1938. It was adapted into the 1951 movie The Thing from Another World where the spaceship in the story became a flying saucer for the film. The Thing, in the first half, has a few similarities to the premise of Frank Scully’s book, Behind the Flying Saucers; the military’s attempt to recover a crashed flying saucer from a remote location, the retrieval of an alien body from it for scientific examination, and the premise that there’s a UFO cover-up. Like Scully’s book, the film also gets in a few jabs at the Government’s denials of flying saucers.

The Aztec story doesn’t provide the kind of exciting storytelling opportunities that Hollywood likes, though. It starts off dramatically, but essentially, it’s the story of entering a tomb, so the movies focused on the UFO stories with live aliens. One notable exception was The Bamboo Saucer was a 1968 film but based on a script from the 50s. It’s a Cold War parable about two teams from the US and Russia fighting for possession of a flying saucer that landed in China. The crew died off-camera and were cremated by locals before the action begins, so we never see the aliens, just the technological wonder of their saucer. There’s no Hangar 18 in sight, but the story has some Aztec in its DNA.

The 1968 novel, The Fortec Conspiracy by Richard M. Garvin and Edmond G. Addeo featured a plot that had many similarities to the Aztec legend. Bodies from a flying saucer crash were hidden in a laboratory at Wright-Patterson Air Force Base in Ohio. Unlike Carr’s version, in the book, the alien bodies weren’t frozen, but pickled in glass tubes. Carr claimed not to have read the book, but said it was based on a true story. He was a Hollywood veteran, and may have kept up with the industry news to know of the development of the novel as a motion picture.

Daily Independent Journal (San Rafael, CA) December 27, 1973

Richard M. Garvin of Mill Valley, an advertising agency executive, will have his novel “The Fortec Conspiracy,” made into a major motion picture. Both he and his collaborator, Ed Addeo of Mill Valley, will be given bit parts in the film. Garvin’s novel, a science fiction work dealing with UFO’s, was published in 1968 and has sold a quarter million copies in paperback. It will be filmed by Cine Arts Studios in Hollywood and released through 20th Century Fox. Garvin is a vice president at Richardson Seigle Rolfs & McCoy Inc. advertising firm in San Francisco.

The news was also reported Publishers Weekly and in science fiction magazines such as the Monster Times and Luna Monthly #349, Autumn 1973, which also said, “Top actors selected for the lead parts include one of the of the major names from Star Trek.” Fascinating, but like many optioned film projects, The Fortec Conspiracy died in development without ever being made, but it was just one of many saucer movie projects gestating.

Close Encounters of the Third Kind

The renewed interest in UFOs started by the 1973 Pascagoula abduction case led to the Flying Saucer Symposium, which gave Carr the platform to thrill the public with a sensational UFO cover-up story. The energy spilled over to reinvigorate the entertainment industry’s interest in flying saucers, and provide Steven Spielberg the chance to fulfill a dream.

As a teenager in 1964, Steven Spielberg had made a full-length amateur science fiction film about UFOs, Firelight. As a professional director he returned to the topic in the early 1970s when he had enough clout to begin choosing his own projects.

“Before he started filming Jaws, Spielberg had signed a development deal for something called Watch the Skies (the closing words from The Thing from Another World, 1951), based on a short story he wrote in 1970 called “Experiences.” In the summer of 1973, producer Michael Phillips (The Sting) started talking about science fiction films with Spielberg, and it was Phillips and his wife Julia who set up the deal with David Begelman at Columbia Pictures. Paul Schrader was hired to write the script in December 1973.”

America's Film Legacy by Daniel Eagan (2009)

However, production complications led Spielberg to choose to direct Jaws before Close Encounters of the Third Kind, chiefly because his “UFOs and Watergate” concept had yet to be developed into a finished story. In an interview in the July 1982, Esquire magazine, Paul Schrader discussed working on the screenplay for Close Encounters of the Third Kind. “I was the first of a series of writers. Steve was the last. When I was first approached, Steve had in mind to do a Watergate-like expose of a government cover-up of the fact that flying saucers existed.”

1973 was the year Maj. Donald Keyhoe’s book, Aliens from Space was published, the book that climaxed with Robert Spencer Carr’s plan for initiating a close encounter. Steven Spielberg and his team were aware of the current UFO literature, and influenced by recent events which would have included the headline news that Robert Carr was making in 1974. Carr talked about the UFO situation as being “Saucergate,” and the finale of Close Encounters appears to be the Hollywood version of Carr’s Operation Lure concept.

In Paul Schrader’s first version of the CE3K script, the protagonist, Paul VanOwen, discusses an idea to contact UFO occupants:

“Well look, we haven’t had any success trying to communicate. We beam radio signals, math problems, tonal scales; no response… Well, we’ll have to entice them to come to us. Stop chasing them. Lure them close enough so we can observe and decipher.”

With this idea, “Project Entice” was initiated, a decoy saucer and lighted panels are built at a remote location to lure UFOs into contact. Schrader’s story was scrapped in favor of a new script, but the concept of Project Entice was reworked, incorporated into the climactic scene in the final film.

In a July 23, 1976 interview with The Clearwater Sun, Carr once again described his vision for Operation Lure:

“I believe we should build a safe landing zone on the highest mesa... and assure the aliens it is not an ambush. I feel confident they would land. I’d like nothing more than to see... intelligent conversation, with the immensely wise little beings that pilot flying saucers.”

Close Encounters of the Third Kind was released in December 1977. There’s no public record of what Bob Carr thought of the Spielberg movie, but he must have loved it. Carr’s Operation Lure dream come true, at least in theatres, peaceful contact with "our friends from space.”

Contracts with Ufologists

In 1977, two film companies, Sunn Classic Pictures  and Scotia American Productions, were researching projects for documentaries based on the UFO crash story. An article in the newsletter of Citizens Against UFO Secrecy (CAUS) by editor by Todd Zechel showed how Hollywood seemed to be having an influence on UFO research:

Just Cause, April 1978 Vol. 1, No. 1 “Nuts and Bolts Making a Comeback”Despite the steady drift toward (and off) “The Edge of Reality,” physical evidence cases have been making a strong bid for the spotlight of late. Just as everyone was concluding crashed saucers were as much an anachronism as Venusian scoutcraft, suddenly Scully-like stories have reared their nasty heads. Apparently, motion picture companies such as Sunn Classics and a lot of loose dollars have encouraged a revival of “Wright Field" rumors.

The Scotia American Productions film was to have been Skywatch. A piece of art promoting it appeared in the May 1978, UK magazine Starburst.

T. Scott Crain wrote a letter to the Jan. 1981, MUFON Journal about his research contribution to the motion picture industry’s saucer efforts:

Back in March 1977, the production managers of Sunn Classic Pictures contacted a number of selected UFO researchers around the country to do research on various UFO related topics, mainly where, if it exists, is the military holding UFO hardware, and who has the inside facts about what has been going on. UFO researcher Leonard Stringfield, I, and several others were asked to sign a contract to do exclusive research on those questions for Sunn so they could produce a nonfiction film based on the facts showing how the military has captured a UFO and kept this information from the public.

Richard Hall (editor of the MUFON Journal) replied with further details:

Sunn Classics also contacted me, Walt Andrus, Larry Bryant, and others at various stages of researching a UFO movie. Originally it was to be a general documentary. At that stage, I signed a contract and provided material on a number of CE-II cases. Gradually, Sunn Classics saw "sensation" value in the "crashed saucer" stories and focused on them. Meanwhile, Scotia American Productions, New York, was working on a rival documentary (with Todd Zechel as research director). I did considerable research in the National Archives for Scotia. Later, Scotia also began seeking "sensation," and Sunn Classics negotiated with them to take over the film altogether. I do not know the exact deal that was struck, but do know that Scotia acquired the Sunn Classics research files. The Scotia film, also tending toward fiction last I knew, never was completed.

Hangar 18: The Motion Picture

The product that emerged from the documentary research was instead a fictional film, Hangar 18. However, it was advertised as an exposé of a true story, and the film opened with the statement:

“In spite of official denials, rumors have continued to surface about what the government has been concealing from the American public at a secret Air Force hangar. But now, with the help of a few brave eyewitnesses who have stepped forward to share their knowledge of these events, the story can finally be told.”

The Cover-up Classic Ingredients:
Crashed UFO, Space Hieroglyphics,
ET Bodies, and an Alien Autopsy 

Hangar 18 updates the Aztec story to the present day of 1980, with a US Space Shuttle launch of a satellite colliding with a UFO, causing it to crash. The news is too hot to release, but in the movie, it is because the turbulence might derail the re-election of the US president, so it’s covered up. The flying saucer is recovered in secret, and taken to Hangar 18 (in the southwest, not at Wright-Patterson) where they open it to find the alien bodies - there’s even an alien autopsy. The aliens are full sized, but like Carr’s little men, these aliens share our DNA. They are ancient aliens, our ancestors.

In the end credits:

“The producers wish to express their appreciation to the following persons and organizations: Aerial Phenomena Research Organization, The Center for UFO Research, Ground Saucer Watch, NASA, Rockwell International, City of Big Spring, Texas.”

Like with Close Encounters, Robert Spencer Carr’s story lives in Hangar 18, but only the darker portions of it. The movie was awful, but was financially successful… and had a huge advertising campaign, so almost all consumers were aware of the premise of the film:

“The government is concealing a UFO and the bodies of alien astronauts. Why won't they tell us?”

Where Credit Is Due

The most powerful legacy of Robert Spencer Carr is in the Roswell UFO crash story, which millions saw depicted on NBC’s Unsolved Mysteries presentation of September 20, 1989, “Legend: Roswell Crash.” The story was later dramatized for the first time as a Showtime TV movie Roswell on July 31, 1994. Another notable TV production was the 1995 Roswell “Alien Autopsy” film, a hoax with roots that reach back to the stir caused by Carr’s 1974 radio interview.

As Seen on TV.

Much of Carr’s early success came in his motion picture writing, but since most of it was behind the scenes as a researcher, he felt he did not receive enough recognition or credit for his work. His UFO concepts of Project Lure, Hangar 18, and the UFO crash cover-up were the foundation for countless television and movie projects. Sadly, none of them give Robert Spencer Carr a word of credit.

Just as the Aztec and Hangar 18 legends were endlessly are told and copied in ufology, once they were assimilated into Hollywood, the same thing happened with the celluloid versions. Storytellers may die, but the tales live on.

Roswell Reborn: The Hangar 18 Legacy

Continued from The Day After Saucergate

Robert Spencer Carr

In 1974, Robert Spencer Carr had put a crashed flying saucer on newspaper front pages, and the sensation caused by somehow persuaded a veteran researcher Leonard Stringfield to begin reexamining UFO crash stories. At the time were still considered crackpot and tabloid material, having been tainted by the stink of the Silas Newton Aztec hoax popularized in Frank Scully’s Behind the Flying Saucers.

The first major mainstream ufologist to declare crash/retrieval reports a matter of legitimate concern, even vital interest, was Leonard Stringfield, a widely respected figure whose history in the UFO field went back to the early 1950s. His advocacy of crash/retrievals would have enormous impact on ufology's subsequent direction… Stringfield first declared himself in a 1977 book, Situation Red, the UFO Siege!, which sought to revive both the extraterrestrial hypothesis of UFO origin (a notion that had largely fallen out of favor among many ufologists) and the idea of an official cover-up (also judged passe). In doing so, he marshaled the usual evidence familiar to readers of 1950s UFO books, such as those by Donald E. Keyhoe. Less predictably, he dedicated 10 pages to crashed-disc stories.

Jerome Clark, UFO Encyclopedia Vol. 3: High Strangeness: UFOs 1960-1979 (1996)

Stringfield became interested in the crashed saucer stories mainly because they could prove that UFOs were not some hallucination or psychic projection, but physical proof of the extraterrestrial. In Situation Red, The UFO Siege!, Stringfield said:

“The little men at least provide provocative evidence—and perhaps specimens— to show that they are part of a nut-and-bolt universe. If we are to believe… reported cases of crashed UFOs and dead occupants… Some of these stories are now legend. One persists: Following the crash of a “spacecraft” thirty-one feet in diameter near Aztec, New Mexico, in 1948, twelve human-like bodies, three to four feet in height, were found inside. They were moved surreptitiously to Wright-Patterson Field, where they had been stored in refrigeration in a secret building.

Frank Scully, in his book Behind the Flying Saucers (1950), revealed the intrigues of another crashed-UFO and little-men incident, but Scully’s story was to be exposed as a fraud. However, some researchers have never given up and believe that Scully was the victim of official counteraction and that his smeared book was actually true.”

The figures Stringfield cited, the 31-foot diameter saucer with 12 bodies, were not Frank Scully’s, but Robert S. Carr’s.

From EC Comics' fictional version of the fictional Aztec crash.

Retrievals of the Third Kind

At the 1978 MUFON Symposium in Dayton, Ohio, Stringfield gave a lecture, “Retrievals of the Third Kind: A Case Study of Alleged UFOs and Occupants in Military Custody,” which he later published as UFO Crash Retrievals - Status Report I: Retrievals of the Third Kind.

He discussed how the subject of crashed saucers had been unfairly tarnished by the discredited Frank Scully story, and presented several cases from anonymous sources that he felt showed evidence of were legitimate.

Stringfield also told how in late March of 1978, he renewed his acquaintance with Bob Carr:

“I had not corresponded with Professor Carr since the 1950's when I published the CRIFO ORBIT. Checking my old files, I reviewed his letters sent to me. Certainly all were well-written, factual and conservative.” He telephoned Carr and liked what he heard, but didn’t check too closely into the academic non-qualifications of his source, or his source’s alleged informants.

“While Scully used shady characters to support his case, new data, supported by people with solid credentials, have surfaced through the efforts of Professor Robert Spenser Carr, a long-time researcher with his own proper credentials.”

Carr’s sources weren’t just shady, they were shadows, and they’d multiplied. Originally, Carr had three, an Air Force officer, a security guard and a biologist, then picked up an autopsy nurse, but when he described the witnesses to Stringfield, the Air Force officer now had a degree in anthropology, the biologist went AWOL, but Carr had two aeronautical engineers to take his place, were the source of the technical details of the recovered saucer.

Carr's informants? A military officer, a nurse, and a biologist.

In his original disclosure, Carr has emphasized that the aliens were human beings, small in stature, but otherwise identical to us except for their longevity and brainpower. In the version he told Stringfield, they picked up far more alien characteristics, with Carr’s witnesses supposedly having “all agreed that the bodies were from three to four feet tall, with elongated heads, oversized compared to their bodies; and, with eyes slanted, looking oriental.”

Stringfield was sold on Carr and his story. “I feel that the Aztec affair can now be viewed with new confidence and free of the Scully stigma.”

The Scully stigma was supplanted by the Carr creativity, and UFO crashes were born again, all the sins washed away. Maybe Carr was John the Baptist in this story and there are a lot of Jesuses, starting with Len Stringfield who preached the word of the UFO crash/retrieval, or the Church of the  C/R.

A Lecturer Hears His Calling

Stanton T. Friedman and Don Berliner dramatically described how Stringfield’s 1978 sermon changed ufology in their 1992 book, Crash at Corona:

Then Leonard Stringfield came winging out of Cincinnati to drop his bomb at the July 1978 annual convention of the Mutual UFO Network... held in Dayton, Ohio, not far from Wright-Patterson Air Force Base, the home of the old Project Blue Book and the scene of so many rumors of alien bodies held in cold storage in the probably mythical Hangar 18...

Stringfield spoke at the Dayton MUFON meeting for two hours, detailing one C/R after another, to the amazement of the hundreds of veteran UFO investigators... Among those galvanized into action by the shocking revelations at Dayton was Stanton Friedman. It had been but a few months since his revealing talk with Jesse Marcel, who described recovering strange debris from a sheep ranch. A few months after the Dayton meeting, Friedman talked with Vern Maltais and got the story of Barney Barnett at the Plains of San Augustin. Soon... Friedman and Bill Moore zeroed in on the Corona, New Mexico, crash, for it was then thought the downed craft seen by Barnett must have been the one that left some of its pieces on the Foster ranch before crashing 150 miles to the west.

From those pieces, The Roswell Incident was made. In the book, Charles Berlitz and William Moore acknowledge Robert Spencer Carr, but only in the bibliography. They posit that Frank Scully’s Behind the Flying Saucers book was true, just flawed and poorly researched and that the time and place of the crash was not 1948 and Aztec, but 1947 and Roswell, New Mexico. Berlitz and Moore recycled just about every recovered saucer rumor in a patchwork to support their Roswell story, and mention a few hangars and UFO storage buildings along the way:

There are even persistent rumors that, sometime in the mid-1950s, presumably after an alleged viewing by President Eisenhower of the material and bodies at Edwards, they were reunited under one roof inside a structure referred to only as "Building 18-A, Area B" at Wright-Patterson Air Force Base.

Rebranded as Roswell

Hangar 18 was becoming a mainstream term, a household word even before the Berlitz-Moore book, but their mention of it in The Roswell Incident helped. But things changed. Hangar 18 was no longer associated with Aztec, it’d been replaced by Roswell. From a TV listing for Oct. 4, 1980:

Channel 41: In Search of ... UFO Cover-Ups. Is the Air Force hiding alien corpses in Ohio? Host Leonard Nimoy visits the "infamous" Hangar 18.

Having the crashed saucer rumor recast as Roswell stirred things up again, and once more Wright-Patterson faced a barrage of inquiries about Building or Hangar 18.

Like the plot of the movie it apparently inspired, the rumor of Wright-Patterson's aliens on ice is farfetched enough to make it almost believable. And, based on the number of letters that keep flowing in here every month demanding that the Air Force come clean about its extraterrestrial cover-up, more than a few people believe every word of it. The rumor is that in 1947 a saucer-shaped spaceship, manned by aliens, crashed in an isolated area of New Mexico...

The Cincinnati Enquirer, April 23, 1981

Crashed and Retrieved

The Aztec story was too strong to die, but it never really caught on until the little men became more alien and it was grafted onto Jesse Marcel’s testimony about taking crashed foil and sticks to the base at Roswell, NM. The Roswell Incident became THE saucer crash story.

Robert Carr continued to be a trusted source for Leonard Stringfield for several years, and as late as 1982 was supplying him with new details about his Aztec witnesses for UFO Crash / Retrievals: Amassing the Evidence, Status Report III. It’s interesting to note that even after the debut of the recrafted Roswell story, Carr was still devoted to his Aztec story and the goals of Operation Lure.

New and Improved!

With the public’s discovery of Area 51 in the 80s and 90s, it became the new “Hangar 18,” the mysterious hiding place for the government’s UFO secrets, and it and Roswell received most of the UFO love. Don’t mourn for Aztec, though. Seeing the Roswell story’s success and acceptance, like hungry raccoons, ufologists pulled the Aztec story back out of the trash can. In 1987, William Steinman and Wendelle Stevens gave us UFO Crash at Aztec, then in 2011, Scott and Suzanne Ramsey dug it out again for The Aztec UFO Incident, complete with a blessing and introduction from Stanton T. Friedman, the flying saucer physicist.

Roswell became the biggest UFO franchise of all time, with a spin-off hoax industry that owes a few debts to Professor Carr’s tales from the alien crypt. We all owe a big thanks to Robert Spencer Carr for giving us not only Hangar 18, but for being the grandfather of the Roswell crash, Close Encounters of the Third Kind, the Alien Autopsy and Area 51.

And also a big thanks to Lawrence Brill, who gave Professor Carr a voice by putting on a show. 

. . .

Epilogue: A Final Word of Thanks

In the article above, we quote Jerome Clark saying that Leonard Stringfield was "The first major mainstream ufologist to declare crash/retrieval reports a matter of legitimate concern." But he was not the first. Some less "reputable" ufologists were already promoting saucer wreckage, chiefly Otto Binder, but also the legendary Gray Barker.

In "America's Captured Saucers: Cover-Up of the Century," UFO Report, May 1977, Barker discussed crashed saucer tales including Robert Spencer Carr’s. It's possible that this publicity helped encourage Leonard Stringfield to dig deeper in the subject. Barker's magazine article was later used as a source for Berlitz and Moore’s 1980 book, The Roswell Incident.

A big thanks is due also to Gray Barker, for his hand in bringing the UFO crash story to Roswell.

. . .

For more on the impact of the Hangar 18 story...

UFO and Alien Movies: It Came from Hangar 18