Criswell Predicts Flying Saucers

The Amazing Criswell's UFO involvement goes much deeper than just hosting the flying saucer invasion movie, Plan 9 from Outer Space.

Criswell aka Jeron King Criswell (originally Jeron Criswell Konig) was an astrologer and psychic to Hollywood stars. He became a minor celebrity himself, with his own television show, newspaper column, and was a frequent guest on talk shows.  

Fate magazine brought us news of flying saucers and the paranormal and early issues also featured the column, Criswell Predicts.

Criswell's column from Oct. 2, 1950 included a UFO book review:

"On your book shelf, there is one book that is building to a best seller by word of mouth, and that is Richard S. Shaver's exciting 'I Remember Lemuria,' which gives evident proof that the ancient races still live, the Atlans, the Titans and many others who return to this earth in 'flying saucers' after 200 centuries of living beyond the blue. This startling information is backed by some of our most prosaic scientists of 1950!" 

His Criswell Predicts column from November 9, 1950, contained one of his few accurate predictions:

"The next trend in fiction will be the brutal interplanetary invasions and wars, which Fate Magazine has pioneered for some time." Another hit was at the end of 1952. Criswell had many predictions for the coming year and said that the US would “undergo an epidemic of flying saucers.”

Criswell and the World's First Flying Saucer Convention

In the early 1950s, Criswell was a member of a flying saucer club in Los Angeles., and in 1953 they put together a convention. Orfeo Angelucci described its origins in his 1955 book, The Secret of the Saucers.

“… as the crowds increased, the Club House was no longer large enough to accommodate everyone. It was then that Max Miller... and [Jeron] Criswell, the well-known columnist and television Man of Prophecy, suggested that we rent the music room in the famous old Hollywood Hotel for our weekly meetings. …[Later] Miller conceived the idea of a Flying Saucer Convention.” 

It was billed as “the World's First Flying Saucer Convention,” and held at the Hollywood Hotel on August 16-18, 1953. Although some scientific and serious UFO researchers were invited, they declined and most of the speakers were more in the Contactee camp. Criswell served as the convention’s principal program moderator and guests included Frank Scully, Silas Newton, Forrest J. Ackerman, George Adamski, Truman Bethurum, Orfeo Angelucci, George Van Tassel, and Max Miller. By some accounts, over 1500 people attended and the facilities were filled beyond capacity.

SAUCERS, Dec. 1953

Based on its success, the next year George Van Tassel launched an annual Spacecraft Convention at Giant Rock, California. Ever since, UFO conferences have been a little corner of show business.

 

Criswell on Captured Flying Saucers and Disclosure

Criswell was associated with the UFO topic strongly enough for that he was described as a “TV prophet and saucer columnist,” in Gray Barker’s The Saucerian magazine. Barker's Saucerian Bulletin: shared a Criswell prediction of imminent UFO Disclosure: 

"On the ABC-TV show, 'You Asked for It,' of several weeks ago, Criswell, the widely syndicated West Coast columnist who makes his living by trying to peer into the future, predicted flatly that an announcement on just what flying saucers are would be made by the government on Dec 10, 1953."

The Roundhouse, October 1953 (newsletter for Maquoketa, Iowa Cup & Saucer Club) reported further details: "Criswell has predicted that the government will make an official announcement on the existence of flying saucers on December 10, 1953. He previously said we would have space travel by 1963 because of the captured flying discs.”

There was at least one skeptical piece by Criswell from a 1954 column. The wife of an alleged Contactee wrote in and Criswell said his nonsense shouldn't be encouraged.

The science fiction magazine Spaceway, June 1955 featured a cover story with Mae West and Criswell as spacemen, “Criswell Predicts: Our First Moon Flight.” He said his friend Mae West would be elected US president in 1960 on a space travel platform, and he’d join her on a flight to the moon. The same year, the singer recorded the song "Criswell Predicts" for her album, The Fabulous Mae West.

The newspaper column Criswell Predicts continued to occasionally mention flying saucers among his other prophecies, and in late 1955, Criswell had a particularly emphatic one:

“I predict that Capt. Eddie Rickenbacker will make a most startling statement of factual evidence concerning flying saucers before March 30, 1956! Remember this prediction!”

In 1956, Criswell was the narrator for Ed Wood’s flying saucer movie, Plan 9 from Outer Space, which was later released in 1958. Criswell opens this possibly prophetic tale by saying, “We are all interested in the future, for that is where you and I are going to spend the rest of our lives.”

Criswell's opening narration for Plan 9 

Afterwards, we’re faced with the possibility that we’ve already been invaded.
“Can you prove it didn’t happen?… God help us in the future!”

The 1968 book, Criswell Predicts Your Future from Now to the Year 2000, contained a few mentions of the mysteries of space and UFOs:

“In the vision of many men, we have seen the inhabitants of other planets who have visited our earth.  I predict that these visits will increase in frequency over the next 20 years.  By 1988, there will be substantiated records of visits to earth from other planets.

And, from time to time, many earth people will leave this earth to return to alien planets with the visitors from outer space.  And, in the long run, these will be the lucky ones.  For they and their descendants will escape the doomsday that will come on August 18, 1999.”

His 1970 record, The Legendary Criswell Predicts! Your Incredible Future, contained another bold saucer prophecy:

"I predict that flying saucers will officially land on the lawn of the White House to open up a new outer-space, inter-world treaty. Mark this date on your calendar: May the sixth, 1991."

In his Criswell Predicts column for July 24, 1977:

“UFOs Again – I predict that in coming court trial for damages, our government will be forced to admit that unidentified flying objects do exist and damages will be paid for personal injuries to person and property. This will be one of the top cases of the year.”

In October 1977 Criswell spoke at George Van Tassel’s Spacecraft Convention at Giant Rock, California. He said of the location, “The area becomes alive at dusk, when you can actually hear… a funny whirring sound of the space people around Giant Rock.”

Criswell did not live to see Earth’s doomsday he predicted at the end of the century. He died on October 4, 1982.

See the article, “Who was Criswell?” at the Criswell Predicts site for more on his biography beyond his saucer exploits.

UFOs, Hollywood & The Outer Limit Legacy

Flying Saucers, the Atomic Bomb and Doomsday: The Outer Limit (Part 1 of 5)
The Outer Limit by Graham Doar: The UFO Parable (Part 2 of 5)
Radio, Television & The Outer Limit Legacy (Part 3 of 5)
Ufology & The Outer Limit Legacy (Part 4 of 5)

In our previous installments, we looked at how the 1949 science fiction short story, "The Outer Limit" by Graham Doar influenced ufology, and in the finale, we look at its impact on popular culture via entertainment, chiefly motion pictures.

Flying Disc Man from Mars

Flying Disc Man from Mars is worth a mention, even though it's probably not derived from Doar's story. It is a movie serial from Republic recycling Martian invaders, but it's the first film to connect them to flying saucers, and more importantly for our study, atomic weapons. The invader Mota from Mars is spying on our atomic developments, is shot down and his saucer crashes.
  "...Mota reveals his objectives: it seems that Mars, disturbed by Earth’s discovery of the atomic power that Mars has possessed for over a century, is determined to make sure that the upstart Earthlings do not endanger the rest of the solar system with their newfound knowledge."  From the summary of  Flying Disc Man from Mars by Jerry Blake.

The idea of the Earth's nuclear weapons posing a threat to the universe was catching on. Fawcett Comics (publisher of Captain Marvel Adventures) in Don Winslow of The Navy #66, March 1951, presented, "The Great Solar Mystery." The US has built a saucer of their own to investigate the UFO mystery. Flying it to the planet Venus, Don Winslow discovers an ancient advanced civilization there. Once again, as in Doar's story, space pacifists are willing to destroy the Earth. 

Click here for larger version.

The leader of the council explains, "You are working now on the Hydrogen bomb! If you detonate that-- the explosive chain might destroy the universe!" In this case, they were executing Earth without notice, but in the end, Winslow persuades them not to murder us by promising he'll alert Earth to the dangers of the bomb.

The Day the Earth Stood Still 

"Farewell to the Master" by Harry Bates was first published in the October 1940 issue of Astounding Science Fiction. (http://www.digital-eel.com/blog/library/Farewell_to_the_Master.pdf )
The story is told from the point of view of reporter Cliff Sutherland. A strange ovoid ship travels through space and time to suddenly appear on the grounds near the Capitol in Washington, DC.
There's not much about peace in the original story, just the implied intentions of Klaatu upon emerging from the spaceship:

"It was immediately apparent to all the assembled thousands that the stranger was friendly. The first thing he did was to raise his right arm high in the universal gesture of peace; but it was not that which impressed those nearest so much as the expression on his face, which radiated kindness, wisdom, the purest nobility. In his delicately tinted robe he looked like a benign god."

His companion is a giant man-shaped robot mad of green metal. "I am Klaatu, and this is Gnut." He gets out one sentence before being shot dead by a deranged man who thought "the devil had come to kill everyone on Earth." After the tragic incident the robot is motionless and the authorities build a  mausoleum for Klaatu and extended a wing from the museum to house Gnut and the ship.

Gnut, the star of Farewell to the Master

Sutherland discovers that Gnut is not inactive, but moves unobserved by night, but his actions are unfathomable. Eventually Sutherland sees that Gnut has managed to make a copy of Klaatu using a an imperfect recording, but he dies. Sutherland retrieves a recording in the hopes it will allow Gnut to create a permanent copy of copy of Klaatu. Gnut takes the recording but somberly, but delivers the line that provides the story's surprise ending. The message of the story seems to be that we are not the ultimate form of life or civilization- or something.

An interesting bit of saucer trivia: In the original story, Klaatu's spaceship is not a flying, nor a  saucer. It's perhaps more egg-shaped, we only have a mention of "the ship's curving ovoid surface." Maybe it's more of a time machine, or a time-space ship, since it's never seen flying. "On the area just to your right, just as it is now, appeared the time-space traveler. It appeared in the blink of an eye. It did not come down from the sky; dozens of witnesses swear to that; it just appeared. One moment it was not here, the next it was." When Hollywood got a hold of it, they'd make it a flying saucer.

Farewell to the Master: The Motion Picture

The Day the Earth Stood Still was released Sept. 1951 from 20th Century Fox. The screenplay was based on "Farewell to the Master," but Edmund H. North's screenplay was informed by other science fiction tales. The script was completed by Aug. 8, 1950 and a memo from by Darryl F. Zanuck on the 10th suggested revisions, including a title change. "Has the title The Man from Mars been used?"

Edmond H. North described how the screenplay developed in a 1986 interview, published in From Words into Images: Screenwriters on the Studio System by Ronald L. Davis:

"That was a short story by Harry Bates. It had the basic idea of a spaceship landing in Washington and the man aboard getting out. But then the story also had strange animals – gorillas and panthers and all kinds of things – that I really couldn't use in my script. So I had to start pretty much from scratch to develop a set of characters and a story. By the time I finished the script the Korean war had broken out. Julian Blaustein, the producer, and I went in for our final conference with the Zanuck with fear and a great deal of trepidation (that it would scuttle the project)."

In America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry,  Daniel Eagan wrote that Julian Blaustein was inspired by newspaper stories about the negative reception to the efforts of the United Nations to promote peace.

"He knew a science-fiction framework could disguise didactic intentions, and had Fox readers search for a story he could adapt to these purposes. In interviews he claimed to have read over two hundred stories and scripts before settling on "Farewell to the Master," a pulp story by Harry Bates published in the October 1940 issue of Astounding Stories magazine. Blaustein assigned a screenwriter Edmund H. North to the project, specifying changes in the plot and fleshing out the characters with the author."

 While searching for story material, they seem to have drawn heavily on The Green Man by Harold Sherman. Numar was a peaceful messianistic messenger who came to Earth in a spaceship, and he had the power to make our technology stand still. For the key motivation in the plot, they turned to Doar's "The Outer Limit," for an ultimatum from an interplanetary force policing space and eliminating worlds that threaten the peace.

In The Day the Earth Stood Still , It sounds a lot like Xeglon's warning when Klaatu tells Professor Barnhardt: 

"We know from scientific observation that you have discovered a rudimentary kind of atomic energy. We also know that you are experimenting with rockets... in the hands of your people-- We've observed your aggressive tendencies, and we don't trust you with such power...So long as you were limited to fighting among yourselves -- with your primitive tanks and planes -- we were unconcerned. But soon you will apply atomic energy to space ships -- and then you become a threat to the peace and security of other planets. That, of course, we cannot tolerate."

Peace through gunboat diplomacy in our time.

At the end of the film, Klaatu delivers the ultimatum to the people of Earth: 

"We have an organization for the mutual protection of all planets -- and for the complete elimination of aggression. A sort of United Nations on the Planetary level... The test of any such higher authority, of course, is the police force that supports it... (We) patrol the planets -- in space ships like this one -- and preserve the peace... It is no concern of ours how you run your own planet -- but if you threaten to extend your violence, this Earth of yours will be reduced to a burned-out cinder... live in peace, or pursue your present course and face obliteration. We shall be waiting for your answer. The decision rests with you."

In "The Outer Limit," we're told the Earth would be "a roaring ball of flame," if atomic bombs were used again. Imitation is the sincerest form of flattery, they say. Klaatu, in turn, would inspire others.

Other Brothers from Space

The Gazette and Daily, Nov. 7, 1955, 

Xeglon may have begat Klaatu, and Klaatu begat Orthon, and Orthon begat the Stranger from Venus.

George Adamski's book partner had his own version of Klaatu from The Day the Earth Stood Still in Stranger from Venus, a 1954 low-budget movie known in the the US as Immediate Disaster. In Keep Watching the Skies!: American Science Fiction Movies of the Fifties, Bill Warren says, "The Stranger is the advance man for the Venusians, who fear we are going to get out of hand with our use of atomic power and that we will blast our planet out of its orbit, which would upset the balance of the solar system." Or, as Orthon might say, "Boom!"

Stranger from Venus, aka Immediate Disaster, aka Venus Nos Ataca

In the 1951 adaptation for the TV series Out There, the abducted pilot was named Peter Graves. in this movie, the hero is played by actor Peter Graves.

The 1954 film, Killers from Space, has some very strong similarities to Doar's story, but lacks the central idea of the aliens delivering an ultimatum. It's not an adaptation, but it's certainly possible it "inspired" it. Here, it's just some space invaders with a plan to conquer using atomically-mutated giant critters. It does, however, feature a more complete model for the typical alien abduction scenario, including a mysterious medical procedure that leaves an unexplained scar.

It's been speculated that the name of Doar's story may have inspired the title of ABC's 1963 The Outer Limits science fiction television series after the network rejected the original choice, Please Stand By.  We can almost imagine that it's Xeglon as the imperious Control Voice:
"There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission... You are about to experience the awe and mystery which reaches from the inner mind to – The Outer Limits."

There may even be an echo of "The Outer Limit" in Carl Sagan's1985 book and 1997 movie, Contact. There is no physical evidence of either alien encounter, but there's a puzzle. In Doar's story it's the return of the ship hours after it should have run out of fuel. In Contact, despite what the occupant(s) of the interstellar experiences, the device seems to go nowhere. However, the video cassette that was supposed to document the encounter inexplicably recorded 18 hours of static.

There's even a reflection of "the Outer Limit" in the 1996 Star Trek movie First Contact, but it leads to a happier ending. Instead of the atom bomb, it was the development of warp drive engines that attracted the our Vulcan space brothers to visit Earth. A historic day for the future:

...a Vulcan survey ship, the T'Plana-Hath, having detected the warp signature of the Phoenix, touched down in Bozeman, central Montana, where they met with the Phoenix's designer and pilot, Zefram Cochrane. This event was generally referred to as the defining moment in Human history, eventually paving the way for a unified world government and, later, the United Federation of Planets. (From Fandom Memory Alpha.)

Art Imitates Life, Life Imitates Art, and Hollywood Imitates Anything.

The ultimate UFO movie in many people's' minds is Steven Spielberg's Close Encounters of the Third Kind. The movie presents a fictionalized potpourri of UFO history and folklore in a dramatic setting that culminates with the arrival of the "mothership" that seems to prove everything, while still remaining enigmatic. 

In CE3K, the first to emerge from the mothership are the abducted pilots.

 CE3K does not appear to draw directly from "The Outer Limit," but there's a connection ,even if it's a distant one. At the Devil's Tower scene at the end of the film, many abductees are returned to Earth, some missing for decades, but all apparently back as young as the day they were taken. Some of the returned were were military pilots, who had mysteriously vanished while in flight. Doar's story didn't feature a mothership, but the extraterrestrial craft was huge, big enough to swallow the pilot's experimental jet-plane. More important was the nature of the aliens, who in Doar's story "seemed friendly, even gentle," which is exactly the message of Spielberg's film. 

Your Stupid Minds!

Going back to the future and the 1950s with the psychic Criswell, Ed Wood used a similar plot device for his science fiction epic. In the 1959 classic, Plan 9 From Outer Space, the motivation for the flying saucer invasion was to stop the bomb. In Wood's film, the aliens are again the heroes, here to stop us from destruction. Commander Eros sent a message to Earth, and the recording warned:

"This is Eros, a space soldier from a planet of your galaxy...  We do not want to conquer your planet. Only save it. We could have destroyed it long ago, if that had been our aim. Our principal purpose is friendly. I admit, we have had to take certain means which you might refer to as criminal, but that is because of your big guns which have destroyed some of our representatives.  If you persist in denying us our landings,  then we must only accept that you do not want us on friendly terms. We then have no alternative but to destroy you before you destroy us.  With your ancient, juvenile minds, you have developed explosives too fast for your minds to conceive what you were doing. You are on the verge of destroying the entire universe. We are part of that universe."


Later in the film, Eros explains the escalating danger the Earth poses:

"First was your firecracker, a harmless explosive. Then your hand grenade. They began to kill your own people a few at a time. Then the bomb, then a larger bomb. Many people are killed at one time. Then your scientists stumbled upon the atom bomb. Split the atom. Then the hydrogen bomb, where you actually explode the air itself. Now you will make a bomb that  brings the destruction of the entire universe, served by our sun. The only explosion left is the solaronite." 

Despite the aliens' ultimately peaceful intentions, their plan fails, and their ship is destroyed. The universe is left in danger that Earth will develop and use the solaronite bomb.

Graham Doar's "The Outer Limit "penetrated the public's consciousness early on, and will continue to echo throughout popular culture and ufology, now and into the future.
As Criswell said, "God help us... in the future."

With that, we'll close with the opening lines from Graham Doar's "The Outer Limit," The alien commander's status report:

Patrolship, SJ23, Galactic Guard, Sector K, reporting.... Pursuant to instructions, from the Central Council: Planet 3, Star 5, Galaxy C, Sector K has been placed under absolute quarantine. Notification to inhabitants made. Mission accomplished.                                                                                                                                         XEGLON, Commanding.

- - - 

References and Recommended Reading

"The Case of the Vanishing X-15 Pilot" by Curtis Peebles, Magonia 88, May 2005

http://magoniamagazine.blogspot.co.uk/2014/01/x15-pilot.html

"Abducted in Space: The Saturday Evening Post, Playboy and the Vanishing X-15 Pilot’s Return" by Curtis Peebles, Magonia 91, February 2006
http://magoniamagazine.blogspot.com/2014/01/abducted-in-space.html

"Ultimatum alla Terra" (aka "The Day the Earth Stood Still")
UFO.it, an Italian site, has an excellent article on the film.
http://www.ufo.it/ufo/2015/11/27/ultimatum-alla-terra-1951/#

"Graham Doar and the Collective Unconscious: How One Author Created the UFO Phenomenon We Know Today" by James E. Elfers 
https://www.scribd.com/document/60414342/Graham-Doar

Site with synopsis and links to several radio adaptations of "The Outer Limit":
http://www.escape-suspense.com/2008/12/escape-the-outer-limit.html

"The Day the Earth Stood Still "by John M. Miller
http://www.tcm.com/this-month/article/145423%7C0/The-Day-the-Earth-Stood-Still.html

"The Eyes Still Speak" by Martin Kottmeyer
http://www.reall.org/newsletter/v06/n05/eyes-still-speak.html

"Gauche Encounters: Bad Films and the UFO Mythos" by  Martin Kottmeyer
http://www.talkingpix.co.uk/ArticleGaucheEncounters.html