The First Flying Saucer Invasion Movie

The public’s fascination with the flying saucer mystery began with the media coverage of Kenneth Arnold’s sighting of nine UFOs on June 24, 1947. At the time, the notion taken most seriously was that flying saucers were technologically advanced aircraft, either developed by the USA in secret or from an enemy nation. The super-aircraft idea was not so far-fetched, and it had already been done in the movies.

Three World War II movie serials from Republic Pictures paved the way for the saucer invasion movie. Spy Smasher was released in April 1942 and featured an exotic Nazi aircraft in chapter 4, “Stratosphere Invaders.” (Link to synopsis.)

The special effects for Republic were made by Howard and Theodore Lydecker, and they built a life-sized prop and miniature for the villain’s aircraft. The Bat Plane was a silver blunt manta-shaped flying wing capable of near vertical takeoff and landings, but it was strictly of terrestrial origin.

Spy Smasher lived up to his name and managed to destroy the weapon by the chapter’s end, and the story moved on to other fights.

But the Bat Plane would fly again.

According to Republic serial historians, the full-size prop was remodeled for another serial released later the same year, King of the Mounties. Chapter one was titled, “Phantom Invaders,” with Canada under siege from unexplained explosions, soon revealed to come from bombs dropped by a silent silvery unidentified aircraft.

King of the Mounties, “Phantom Invaders” on YouTube

We learned it was the “Falcon,” a technologically advanced boomerang-shaped plane from Japan. It took 12 chapters, but Sgt. Dave King defeated the enemy spies. The Bat Plane would be seen again, but before that, there was an alien invasion.

The Purple Monster Strikes was a 1945 Republic movie serial, and it started with a UFO crash. It happened near where a scientist was developing an interplanetary “jet plane.” He rushed to investigate the crash and found the pilot had survived. It was a man from Mars who revealed, “We've watched the progress of your work and I've come to you for help... I’m very anxious to see the plans for your jet plane.”

On YouTube: The Purple Monster Strikes

The friendly act was dropped and “The Purple Monster" soon revealed he came to conquer Earth: “The invasion is only being delayed because of our inability to build ships who could land safely and return to Mars. Your plans have supplied that mean.” The Martian had the alien ability to kill then inhabit a body, and he used the scientist’s corpse as disguise to complete the spaceship plans. However, he’s discovered along the way. When he launched the ship for Mars our hero managed to use Mars’ technology against him to shoot it down. (Link to synopsis.)

That was the end of the Martian invasion – until…

 

The Coming of the Saucers

The notion that flying saucers were secret advanced aircraft was popular from the outset in 1947. As months and years went by without it being proven, the man-made idea began to lose some luster. Another early idea, primarily promoted by cranks, was that saucers were from Mars or another planet. In the meantime, the first few appearances of flying saucers in low budget movies depicted them as man-made secret weapons. Donald Keyhoe’s 1950 article and later book, The Flying Saucers Are Real, sold well enough to prove that the public would buy the idea of UFOs as spaceships from other planets.

Republic went to work, retooling some footage and gear from previous films. The Purple Monster’s costume was used for another Martian invader. An old prop was recycled for the first flying saucer from outer space in the motion pictures. It was a “semi-disc,” a bat-like wing like one Kenneth Arnold reported, or the one seen in the William Rhodes photos from 1947.

Menace from Mars

In Oct. 1950, Republic released Flying Disc Man from Mars, the first alien invasion "flying saucer" movie.

In chapter one, “Menace from Mars,” a UFO had been seen around the factory where scientist Dr. Bryant was working on an atomic-powered weapon, a “radar ray gun.” He told his security man, Kent Fowler, that someone was spying on the project.

“I know all this talk about flying saucers and discs sounds like hysterical illusions, yet every night I pick up that image at from 60 to 80,000 feet elevation then it descends vertically to 30,000 thousand feet and stays in the same place for an hour or more. Do you know of any plane that can do that?”

The heroic Kent Fowler took the gun on his plane and shot down the intruder. Dr. Bryant rushed to where the UFO crashed and he made contact with a survivor. Mota from Mars told him:

“Ever since you people started working with atomic power and explosives, we have been watching you closely. We keep large atomic-powered patrol ships permanently stationed just outside your field of gravity and we make our closer inspection in small flying discs such as the one I was flying when you had me shot down.”

The small saucer was a semi-disc, portrayed by the Bat Plane prop last seen in King of the Mounties.

Mars was worried by what we savages were doing. Mota said,

“With unlimited atomic weapons your people might easily end by destroying this world which would be fatal to the whole solar system including our own planet. So I am here to see that your world is put under the control of a supreme dictator of the universe.”

Dr. Bryant (who’d been a Nazi sympathizer) kept the secret and went along with the plan. He hired two henchmen and their little gang put things in motion for a management change for our planet. Mota built a replacement “semi-disc” craft and they relocated to an abandoned Martian base in a volcano.

Mota and the semi-disc

Chapter 3 ends with a scene reminiscent of the 1948 Thomas Mantell incident. Kent Fowler took his plane to chase Mota’s disc high into the air, but he lost consciousness from lack of oxygen. His engine failed and the plane crashed. This being a movie serial cliffhanger, he revived and bailed out just in time. Fowler went on to defeat the enemies in their volcanic lair, save the girl and even capture the Martian saucer. Unfortunately, it was damaged, but before it exploded, Kent and Helen bailed out just in time.

In the discussion afterwards, Kent mourned that all details on the Martian technology perished in the volcano. Helen said, “Well, it’s just as well. Those weapons were too dangerous anyway.” (Link to synopsis by Todd Gault)

There wasn’t much of an alien nature in the serial other than Mota’s Martian clothing and saucer. Mota never called for reinforcements from the large Martian “patrol ships permanently stationed” above the earth. We were never shown those, so maybe that was a bluff, not a plot hole. Story wise, things would have worked as well if Mota was a foreign conqueror with a super plane. Like a lot of movies, the most exciting part was the theatrical poster with its imaginative depiction of the Martian flying saucer invasion that never happened in the film.

Flying Disc Man from Mars on YouTube

The next year, feature-length motion pictures got into the UFO business, but Mota eventually flew again in a rerelease. In 1958, was edited down to a 75-minute movie, Missile Monsters to be a double-feature with Satan’s Satellites.

The trailer for Missile Monsters advertised a UFO dogfight:

"For the first time on the screen, men battle a disc plane in the clouds. You'll be thrilled by this amazing, incredible prediction of things to come."

False advertising, by 1958 it was old hat. But in 1950, Flying Disc Man from Mars was ahead of all the rest in bringing aliens and UFOs together in the movies.

. . .

For a look at how the first popular depiction of aliens coming to prevent Earth’s atomic self-destruction, see our 5-part examination of the influential 1948 short story, “The Outer Limit” by Graham Doar:

Flying Saucers, the Atomic Bomb and Doomsday: The Outer Limit (Part 1 of 5)

 

 

 

UFO and Alien Movies: It Came from Hangar 18

Continued from Roswell Reborn: The Hangar 18 Legacy

Epilogue: The Hollywood Legacy, Hangar 18 to Close Encounters and Back Again

Robert Spencer Carr’s resurrection of the Aztec legend paved the way for Leonard Stringfield’s UFO crash/retrieval studies, and the revival of Roswell by Stanton Friedman, William Moore and Charles Berlitz. Carr’s crash story was part of the UFO revival that led to a boom in space-based science fiction movies such as Star Wars and Close Encounters of the Third Kind, and also was exploited in the movie Hangar 18 which was based on the Aztec legend itself.

UFO Crashes and The Movies

The first saucer crash movie was based on John W. Campbell, Jr’s story “Who Goes There” from Astounding Science Fiction, August 1938. It was adapted into the 1951 movie The Thing from Another World where the spaceship in the story became a flying saucer for the film. The Thing, in the first half, has a few similarities to the premise of Frank Scully’s book, Behind the Flying Saucers; the military’s attempt to recover a crashed flying saucer from a remote location, the retrieval of an alien body from it for scientific examination, and the premise that there’s a UFO cover-up. Like Scully’s book, the film also gets in a few jabs at the Government’s denials of flying saucers.

The Aztec story doesn’t provide the kind of exciting storytelling opportunities that Hollywood likes, though. It starts off dramatically, but essentially, it’s the story of entering a tomb, so the movies focused on the UFO stories with live aliens. One notable exception was The Bamboo Saucer was a 1968 film but based on a script from the 50s. It’s a Cold War parable about two teams from the US and Russia fighting for possession of a flying saucer that landed in China. The crew died off-camera and were cremated by locals before the action begins, so we never see the aliens, just the technological wonder of their saucer. There’s no Hangar 18 in sight, but the story has some Aztec in its DNA.

The 1968 novel, The Fortec Conspiracy by Richard M. Garvin and Edmond G. Addeo featured a plot that had many similarities to the Aztec legend. Bodies from a flying saucer crash were hidden in a laboratory at Wright-Patterson Air Force Base in Ohio. Unlike Carr’s version, in the book, the alien bodies weren’t frozen, but pickled in glass tubes. Carr claimed not to have read the book, but said it was based on a true story. He was a Hollywood veteran, and may have kept up with the industry news to know of the development of the novel as a motion picture.

Daily Independent Journal (San Rafael, CA) December 27, 1973

Richard M. Garvin of Mill Valley, an advertising agency executive, will have his novel “The Fortec Conspiracy,” made into a major motion picture. Both he and his collaborator, Ed Addeo of Mill Valley, will be given bit parts in the film. Garvin’s novel, a science fiction work dealing with UFO’s, was published in 1968 and has sold a quarter million copies in paperback. It will be filmed by Cine Arts Studios in Hollywood and released through 20th Century Fox. Garvin is a vice president at Richardson Seigle Rolfs & McCoy Inc. advertising firm in San Francisco.

The news was also reported Publishers Weekly and in science fiction magazines such as the Monster Times and Luna Monthly #349, Autumn 1973, which also said, “Top actors selected for the lead parts include one of the of the major names from Star Trek.” Fascinating, but like many optioned film projects, The Fortec Conspiracy died in development without ever being made, but it was just one of many saucer movie projects gestating.

Close Encounters of the Third Kind

The renewed interest in UFOs started by the 1973 Pascagoula abduction case led to the Flying Saucer Symposium, which gave Carr the platform to thrill the public with a sensational UFO cover-up story. The energy spilled over to reinvigorate the entertainment industry’s interest in flying saucers, and provide Steven Spielberg the chance to fulfill a dream.

As a teenager in 1964, Steven Spielberg had made a full-length amateur science fiction film about UFOs, Firelight. As a professional director he returned to the topic in the early 1970s when he had enough clout to begin choosing his own projects.

“Before he started filming Jaws, Spielberg had signed a development deal for something called Watch the Skies (the closing words from The Thing from Another World, 1951), based on a short story he wrote in 1970 called “Experiences.” In the summer of 1973, producer Michael Phillips (The Sting) started talking about science fiction films with Spielberg, and it was Phillips and his wife Julia who set up the deal with David Begelman at Columbia Pictures. Paul Schrader was hired to write the script in December 1973.”

America's Film Legacy by Daniel Eagan (2009)

However, production complications led Spielberg to choose to direct Jaws before Close Encounters of the Third Kind, chiefly because his “UFOs and Watergate” concept had yet to be developed into a finished story. In an interview in the July 1982, Esquire magazine, Paul Schrader discussed working on the screenplay for Close Encounters of the Third Kind. “I was the first of a series of writers. Steve was the last. When I was first approached, Steve had in mind to do a Watergate-like expose of a government cover-up of the fact that flying saucers existed.”

1973 was the year Maj. Donald Keyhoe’s book, Aliens from Space was published, the book that climaxed with Robert Spencer Carr’s plan for initiating a close encounter. Steven Spielberg and his team were aware of the current UFO literature, and influenced by recent events which would have included the headline news that Robert Carr was making in 1974. Carr talked about the UFO situation as being “Saucergate,” and the finale of Close Encounters appears to be the Hollywood version of Carr’s Operation Lure concept.

In Paul Schrader’s first version of the CE3K script, the protagonist, Paul VanOwen, discusses an idea to contact UFO occupants:

“Well look, we haven’t had any success trying to communicate. We beam radio signals, math problems, tonal scales; no response… Well, we’ll have to entice them to come to us. Stop chasing them. Lure them close enough so we can observe and decipher.”

With this idea, “Project Entice” was initiated, a decoy saucer and lighted panels are built at a remote location to lure UFOs into contact. Schrader’s story was scrapped in favor of a new script, but the concept of Project Entice was reworked, incorporated into the climactic scene in the final film.

In a July 23, 1976 interview with The Clearwater Sun, Carr once again described his vision for Operation Lure:

“I believe we should build a safe landing zone on the highest mesa... and assure the aliens it is not an ambush. I feel confident they would land. I’d like nothing more than to see... intelligent conversation, with the immensely wise little beings that pilot flying saucers.”

Close Encounters of the Third Kind was released in December 1977. There’s no public record of what Bob Carr thought of the Spielberg movie, but he must have loved it. Carr’s Operation Lure dream come true, at least in theatres, peaceful contact with "our friends from space.”

Contracts with Ufologists

In 1977, two film companies, Sunn Classic Pictures  and Scotia American Productions, were researching projects for documentaries based on the UFO crash story. An article in the newsletter of Citizens Against UFO Secrecy (CAUS) by editor by Todd Zechel showed how Hollywood seemed to be having an influence on UFO research:

Just Cause, April 1978 Vol. 1, No. 1 “Nuts and Bolts Making a Comeback”Despite the steady drift toward (and off) “The Edge of Reality,” physical evidence cases have been making a strong bid for the spotlight of late. Just as everyone was concluding crashed saucers were as much an anachronism as Venusian scoutcraft, suddenly Scully-like stories have reared their nasty heads. Apparently, motion picture companies such as Sunn Classics and a lot of loose dollars have encouraged a revival of “Wright Field" rumors.

The Scotia American Productions film was to have been Skywatch. A piece of art promoting it appeared in the May 1978, UK magazine Starburst.

T. Scott Crain wrote a letter to the Jan. 1981, MUFON Journal about his research contribution to the motion picture industry’s saucer efforts:

Back in March 1977, the production managers of Sunn Classic Pictures contacted a number of selected UFO researchers around the country to do research on various UFO related topics, mainly where, if it exists, is the military holding UFO hardware, and who has the inside facts about what has been going on. UFO researcher Leonard Stringfield, I, and several others were asked to sign a contract to do exclusive research on those questions for Sunn so they could produce a nonfiction film based on the facts showing how the military has captured a UFO and kept this information from the public.

Richard Hall (editor of the MUFON Journal) replied with further details:

Sunn Classics also contacted me, Walt Andrus, Larry Bryant, and others at various stages of researching a UFO movie. Originally it was to be a general documentary. At that stage, I signed a contract and provided material on a number of CE-II cases. Gradually, Sunn Classics saw "sensation" value in the "crashed saucer" stories and focused on them. Meanwhile, Scotia American Productions, New York, was working on a rival documentary (with Todd Zechel as research director). I did considerable research in the National Archives for Scotia. Later, Scotia also began seeking "sensation," and Sunn Classics negotiated with them to take over the film altogether. I do not know the exact deal that was struck, but do know that Scotia acquired the Sunn Classics research files. The Scotia film, also tending toward fiction last I knew, never was completed.

Hangar 18: The Motion Picture

The product that emerged from the documentary research was instead a fictional film, Hangar 18. However, it was advertised as an exposé of a true story, and the film opened with the statement:

“In spite of official denials, rumors have continued to surface about what the government has been concealing from the American public at a secret Air Force hangar. But now, with the help of a few brave eyewitnesses who have stepped forward to share their knowledge of these events, the story can finally be told.”

The Cover-up Classic Ingredients:
Crashed UFO, Space Hieroglyphics,
ET Bodies, and an Alien Autopsy 

Hangar 18 updates the Aztec story to the present day of 1980, with a US Space Shuttle launch of a satellite colliding with a UFO, causing it to crash. The news is too hot to release, but in the movie, it is because the turbulence might derail the re-election of the US president, so it’s covered up. The flying saucer is recovered in secret, and taken to Hangar 18 (in the southwest, not at Wright-Patterson) where they open it to find the alien bodies - there’s even an alien autopsy. The aliens are full sized, but like Carr’s little men, these aliens share our DNA. They are ancient aliens, our ancestors.

In the end credits:

“The producers wish to express their appreciation to the following persons and organizations: Aerial Phenomena Research Organization, The Center for UFO Research, Ground Saucer Watch, NASA, Rockwell International, City of Big Spring, Texas.”

Like with Close Encounters, Robert Spencer Carr’s story lives in Hangar 18, but only the darker portions of it. The movie was awful, but was financially successful… and had a huge advertising campaign, so almost all consumers were aware of the premise of the film:

“The government is concealing a UFO and the bodies of alien astronauts. Why won't they tell us?”

Where Credit Is Due

The most powerful legacy of Robert Spencer Carr is in the Roswell UFO crash story, which millions saw depicted on NBC’s Unsolved Mysteries presentation of September 20, 1989, “Legend: Roswell Crash.” The story was later dramatized for the first time as a Showtime TV movie Roswell on July 31, 1994. Another notable TV production was the 1995 Roswell “Alien Autopsy” film, a hoax with roots that reach back to the stir caused by Carr’s 1974 radio interview.

As Seen on TV.

Much of Carr’s early success came in his motion picture writing, but since most of it was behind the scenes as a researcher, he felt he did not receive enough recognition or credit for his work. His UFO concepts of Project Lure, Hangar 18, and the UFO crash cover-up were the foundation for countless television and movie projects. Sadly, none of them give Robert Spencer Carr a word of credit.

Just as the Aztec and Hangar 18 legends were endlessly are told and copied in ufology, once they were assimilated into Hollywood, the same thing happened with the celluloid versions. Storytellers may die, but the tales live on.

Lost UFO Films: Socorro and Frank Stranges

Frank E. Stranges & The Saucer Films That Time Forgot

The Reverend Frank E. Stranges passed on in 2008, but he is fondly remembered.

"No one knows this more than Dr. Frank E. Stranges. This erudite, holding degrees in Theology, Criminology and Psychology, has dedicated his life to the study of the Bible and other sacred texts in relationship to spiritual growth and understanding not only of our planet and its people, but also of those from other worlds." 

So says his bio/obit at ISUIS. Dr. Stranges also made a few UFO film projects, but it's the missing ones that may matter the most. Here's a news item on his lecture promoting his UFO documentary Phenomena 7.7 from the Redlands Daily Facts (CA) March 5, 1965:

Saucers—Fact or Fiction ... announcing a lecture by Dr. Frank E. Stranges, president of the International Evangelism Crusades... Frank Stranges has just completed work on a color documentary film entitled, "Phenomena 7.7." It will be released to movie and television shortly... Versed in many fields of interest. Dr. Stranges will lecture on flying saucers. 

A review with details of the movie, from the Citizen Times (Cedar Rapids, Iowa,) July 13, 1966:

A Documentary on UFO's ...after 21 years of research Dr. Frank E. Stranges... has produced a UFO color documentary entitled "Phenomena 7.7.' The strange title comes from equally strange information... UFO sightings have been reported to the U.S. Air Force and of these, 7.7 per cent still remain' classified as "unknown... unidentified." Phenomena... is an interesting and well-put-together documentary. Its main purpose is to inform rather than alarm, but in some places it falls short of this goal. Included are concepts and explanations from a variety of newscasters and for interesting viewing but this attempt to cover all phases of the mystery appears to lack any scientific basis. Highlights of the film include impressive film clips and color stills of UFO's that never before have been presented to a public audience, and reports from scientists and military officials on their theories and observances. 

An advertisement in Understanding published by Dan Fry, Volume 11 Number 6, June 1966 made the film sound sensational:

PHENOMENA 7.7 ... DOCUMENTARY-70 Minute, Full Color Motion Picture
concerning . . . Unidentified Flying Objects
by Dr. Frank E. Stranges, Michael Musto, Capt. Merle S. Gould, Wm. F. Paul
– PRODUCERS –
... YOU WILL SEE Actual Motion Pictures of ‘Unidentified Flying Objects’ never before viewed by any public audience. If You Do Not believe in the existence of ‘Flying Saucers’ you owe it to yourself to see “PHENOMENA 7.7.” Hear profound statements from those who have actually seen Unidentified Flying Objects!

Lonnie Zamora and the scene of his sighting.

Documenting the Socorro Saucer

Phenomena 7.7 included a rare filmed segment on one of the most compelling unexplained UFO sightings of all time, the 1964 Lonnie Zamora encounter in Socorro, New Mexico. The documentary is of particular interest to UFO historians for its color photography of the witness and the landscape surrounding the sighting, relatively close to the date of the original events.

The film may also shed some light on later theories about the UFO sighting being a hoax. Debunker Phil Klass' speculation about Socorro Mayor Holm Bursum, Jr being part of a scheme to bring tourists to the town had some reality behind it. The town leaders were banking on the movie, Phenomena 7.7 to bring in the tourists. Project Blue Book files contain Dr. J. Allen Hynek's letter on his March 1965 Socorro visit, where he wrote that Sgt. Sam Chavez  told him, "Zamora did not want to be in the picture, but it was at the Mayor's insistence, via his boss, that he consented to do so. I can't quite believe this myself. When I talked to Zamora later, he seemed to be reasonably pleased about being in the move." A later passage tells of the film producers promise to the town's Mayor in (the Socorro El Defensor Chieftan)

March 9 issue has a story "Film Studios Praise Cooperation Here in Film on UFO's." The letter received from Mr. Michael Musto, a letter sent to Mayor Holm O. Burson, stated, "Phenomena 7.7 is now completed. It will be viewed by countless millions of people throughout the world. It will open the door to facts heretofore shrouded in secrecy. It will prepare the entire human race for a better knowledge of the universe and possible neighbors who may have been observing our earth for centuries."

The Alamogordo Daily News from April 25, 1965, stated, "Posters are being planned by the Chamber of Commerce for placement within Socorro businesses to alert tourists to the town’s claim to fame. A portion of a movie on UFO’s was filmed earlier this year at Socorro. Much of the town’s hope for additional tourist dollars is based on this film, which Empire Films Studio of Hollywood had planned to premier at Socorro soon." 

Sadly, the film did not get national distribution, so the tourism Socorro hoped for did not materialize. It was instead shown at Stranges' UFO lectures and in smaller venues. From the San Jose State College newspaper, the Spartan Daily for May 24, 1966:

NICAP, The Silence Group?

 The UFO Investigator, Nov./Dec. 1965

 In 2014, UFO historian Isaac Koi searched for information on the Stranges film. He shared the most detailed description of it at The UFO Collective, an article from The UFO Investigator from November/December 1965 by the National Investigations Committee On Aerial Phenomena, NICAP.  In 1965, Donald Keyhoe and NICAP had great influence, so it is possible their disapproval and condemnation of the film contributed its failure to reach a mass audience. The entire piece is reproduced below:

 Film '7.7' Disappointment 

In Vol. Il, No. 2, we announced that a documentary film built around the UFO landing at Socorro, N. M. in April 1964, would be released in 1965 and might have a strong impact because the AF has accepted the report by Socorro Police Officer Lonnie Zamora as genuine and has stated that he saw an "unknown vehicle." 

We regret that our expectations were not fulfilled. The Socorro case is treated, briefly no mention is made of the AF conclusion. Instead, the film has a commercial twist, showing motel and restaurant owners as highly pleased that so many tourists come to see the landing site. 

But this is not the worst. The film, we have learned, was produced by "Dr." Frank. Stranges, evangelist, who frequently uses contactee stories in platform discussions of UFOs. Several years ago, before NICAP knew of Stranges' activities, he became a NICAP member. Later, he claimed personal friendship with the director, though they had never met, and implied NICAP approval of his contactee reports. NICAP canceled his membership, returned his fee, and has disavowed any approval of his UFO claims. 

The 7.7 film (referring to the approximate AF percent of unsolved UFO cases) includes shots of various contactees, including Dan Fry, who claims a remote controlled flying saucer landed near him in the desert, took him aboard and flew him to New York; also George van Tassel, builder of a so-called 'rejuvenation machine', which allegedly resulted from information given him by outer space beings. Also appearing in the film is a shot of an attractively dressed blond busily taking notes - UFO connection not mentioned. NICAP representatives present said the press seemed more amused than impressed. 

But the most unfortunate angle is that the film is narrated by Los Angeles columnist George Todt, who has written many fine, factual columns supporting NICAPs investigation over a period of years. Mr. Todt has an excellent record in WW II; as a broadcaster and newspaperman; he has fought Communism, opposed suppression of UFO information and has crusaded for another important American objectives. We are sure that Mr. Todt was completely unaware of the producer's background or the nature of the film when he signed up as narrator. 

In the press showing mentioned, Empire Studios publicity men stated the narrator was the 'personal representative of Major Donald E. Keyhoe' implying approval of the film. Under the circumstances, NICAP must put these points on record: 

1. Neither NICAP nor the director was ever consulted about the film. 

2. When we first mentioned it, we did not know the producer. 

3. Although Mr. Todt has been a good friend to NICAP, and he served as a public relations adviser, he is not the personal representative of the director, and he has not been authorized to mention NICAP Or the director in regard to this film. 

We have heard '7.7' is being offered for TV use and we have informed network heads of the facts. 

If 'Phenomena 7.7' is scheduled at your local theater please show this statement to the manager and to newspaper film reviewers, to prevent NICAP's being untruthfully linked with this film.

- - -

The Vinyl Disc 

The 1966 record, Flying Saucers Unlimited, is listed as being based on the motion picture Phenomena 7.7, but seems to be mainly a recorded lecture of Frank Stranges. 

Flying Saucers Unlimited

The record seems to have reached more people than the film, and luckily it has been preserved. This link will allow you to hear it: http://wfmu.org/365/2007/346.shtml

Television: Flying Saucers- Here and Now

Frank E. Stranges, as seen in a clip from the TV show, UFO

Frank Stranges also filmed a pilot episode in Chicago for an ambitious television series, Flying Saucers- Here and Now.

Flying Saucers International No 26, March 1968

It was a promising series, the premise was to base the show on the files of the late Frank Edwards, and the series name was taken from his second best-selling UFO book. Saucers were a hot property in the 1960s, and the trade magazines made note of the show's production.

Broadcasting, March 4, 1968

The May 1968 issue of Dan Fry's Understanding carried a notice about his part in the show:

Daniel Fry, Contactee

On March 26th our Founder-President, Dr. Daniel W. Fry, flew to Chicago for the filming of his particular contribution to a proposed TV series entitled "FLYING SAUCERS, HERE AND NOW."
This series is being produced by Mr. Cy Newman and hosted by Dr. Frank E. Stranges. It is expected the series will be a continuation of the Frank Edwards Program.
We alert you to check your TV programs for this program. Although neither dates nor TV affiliates have yet been announced it is "reported" that 34 stations have evidenced interest in the subject matter to be offered.

Other guests filmed were Carroll Wayne Watts and his wife, Rosemary from Loco, Texas. Watts was involved in a famous contact/abduction case that made headlines in early 1968. Flying Saucers- Here and Now, if it has survived, may be the only film recording of Watts' story, possibly valuable evidence in the study of abduction testimony.

Not everyone took the news well or was looking forward to the series. The MUFON Journal to-be, Skylook, in their May 1968 issue panned the show in advance.

Skylook, May 1968

Like Phenomena 7.7., the pilot for Flying Saucers- Here and Now was shown at Dr. Stranges' flying saucer lectures and conferences.

Spartan Daily (San Jose, CA) Nov. 16, 1970

What became of the films?

A TV Guide listing for early 1969 indicates the movie and TV pilot may have been edited together for at least one broadcast on KEMO-TV Channel 20; San Francisco, CA:

DOCUMENTARY TWENTY  [color] "Flying Saucers Here and Now.” A report on the UFO sightings 1952-1968, includes stills and film clips of the objects and and interviews with persons who saw them. Dr. Frank E. Stranges, head of the national investigations on UFO's, is the host.  

The next listing for the channel suggest the broadcast was 2 hours long.

Phenomena 7.7 was shown (perhaps for the lat time) at the 1971 Giant Rock convention in California, and James W. Moseley who was between Saucer News and Saucer Smear was there with Gray Barker , and Moselry reported on the scene, including a passage on Dr. Stranges' lecture and his film:

Saucers, Space & Science # 60, 1971 PDF at AFU

The last known showing of the TV pilot was described in the Valley News from Van Nuys, California, February 22, 1973:

Unidentified Flying Objects" will be the subject of the family night meeting of Boy Scout Troop 133 tomorrow at 6:30 o'clock at the Northridge United Methodist Church, 9650 Reseda Blvd., according to Scoutmaster Hal Holoter. Dr. Frank E. Stranges, international director of the National Investigations Committee on UFOs, headquartered in Van Nuys, will present a lecture titled "The World of UFOs." He will also show a portion of a color television series called "Flying Saucers -- Here and Now," with sound film showing actual UFO footage. 

Contacting the company that produced the television show revealed that they no longer had the pilot or any records about it. Dr. Stranges' National Investigations Committee on Unidentified Flying Objects still has a website, and it offers a few DVDs, but when contacted in 2012, said, they "only have orig 35 mm of Phenomena 7.7.  Sorry." It's possible then, that the film can be rescued from obscurity. There were no leads found on the fate of the television pilot.

There's a chance, though that someone reading this may own a copy of the documentaries and be prompted to share it so these films are not lost to UFO researchers and historians. If you have information on any of these films, please contact us at The Saucers That Time Forgot, and we will put in touch with capable archivists.